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On Monday afternoon, members of the community gathered in the Thomas F. Shannon Room of Hubbard Hall to attend a reading of selected poems by Judith Sanders, an award-winning poet and former visiting professor at Bowdoin.
It’s finally Halloween aka spooky season aka objectively the best holiday (okay that’s just my opinion but also, I’m right). There is simply nothing like watching horror movies that will haunt me for days on end, carving some of the ugliest jack-o’-lanterns out there, and putting more effort into crafting a costume than I put into most of my school assignments.
Editor’s note 10/21/2022 at 3:13 p.m. EDT: A previous version of this article mistakenly identified Michelle Kuo as a curator. The article has been updated with Kuo’s proper titles as writer, lawyer and activist. Professor of Art and Chair of the Visual Arts Division of the Department of Art Michael Kolster presented photographs from his new book on Thursday in Hawthorne-Longfellow library.
On Tuesday evening, an audience filled the Visual Art Center’s Beam Classroom to watch a screening of the one-man play “American Moor,” written and performed by Keith Hamilton Cobb, a critically acclaimed playwright and classically trained actor.
Thornton Wilder’s Pulitzer Prize winning play “Our Town” depicts the lives of everyday people living in the fictional town of Grover’s Corner, N.H. at the beginning of the 20th century. This weekend, the Department of Theater and Dance is opening its own unique take of the American classic, directed by Professor of Theater Davis Robinson.
Let the arpeggiated A minor chord sound! We have arrived at the most recognizable iteration of the song in question. British pop-rock outfit The Animals sent “House of the Rising Sun,” our meager folk tune, to the top of the UK singles chart in 1964 with an arrangement that, in keeping with the folk idiom, was not their own handiwork.
Imagine a carnival with no attendees; a wrestling match with no audience; a baseball game with no spectators. This may not be very hard to envision given our post-Covid experience, but there was someone who was remotely hosting such grand-scale events before it was even a requirement of the Center for Disease Control.
Author, educator, classicist and tattooer Phuc Tran visited Bowdoin on Thursday as part of the Alpha Delta Phi Society’s Visiting Writers Series. After briefly overviewing his adult life and work, he read passages from his 2021 memoir “Sigh, Gone,” followed by a question-and-answer session.
This review contains spoilers for Harley Quinn season three. The animated Harley Quinn series follows the titular character as she moves on from her abusive relationship with the Joker. Through seasons one and two, she plots to take over Gotham, while also figuring out who she is beyond her identity as the Joker’s girlfriend.
If you were to poll members of Bowdoin’s music community on who among their peers they want to play with most, one name would appear with greater frequency than the rest: Danny Little ’22. The second-semester senior started his musical career young, playing classical piano.
On Wednesday evening, the Latin American Student Organization (LASO) hosted critically-acclaimed writer Gabby Rivera in the Kresge Auditorium as part of their celebration of Latinx Heritage Month. Rivera is the author of the young adult novel “Juliet Takes a Breath,” a semi-autobiographical coming-of-age story with a queer Latin American woman as its protagonist.
McKee Grant recipients presented their work during the annual showcase at the Edwards Center for the Arts on Wednesday night. The $1,000 grant funds travel over the summer for recipients as they compile a collection of photographs on a chosen topic.
The Bowdoin College Museum of Art (BCMA) is a quintessential part of campus life, a venue to facilitate student learning and even a meeting point for students to protest, as seen at the recent Mahsa Amini candlelight vigil.
Students gathered in the Shannon Room on Wednesday afternoon to hear from Magali Armillas-Tiseyra on author Gabriel Garcia Marquez’s modern literary influence. Armillas-Tiseyra is an Associate Professor of Comparative Literature at Pennsylvania State University and the author of “The Dictator Novel: Writers and Politics in the Global South.” In her speech, “The Legacies of the Latin American ‘Boom,’” Armillas-Tiseyra discussed the legacy of Garcia Marquez’s 1967 “One Hundred Years of Solitude,” which students in a Hispanic Studies seminar on Garcia Marquez are reading now.
By the mid-1940’s, “House of the Rising Sun” had existed for decades as a folk standard, but when Huddie Ledbetter (a.k.a. Leadbelly), a giant of the Mississippi Delta Blues and 12-stringed guitar virtuoso, picked up the track, the song’s acclaim began to approach echelons beyond the merits of canonization.
Miscellania, Bowdoin’s first and only all-women’s a cappella group, celebrates its 50th anniversary this weekend with the return of many of the group’s alumni. This will be students’ first chance in four years—the last time a reunion happened—to connect with Miscellania members of the past.
On Wednesday evening, Senagalese storyteller Boubacar Ndiaye and musicians Baye Cheikh Mbaye and Pape N’diaye Paamath performed at the Kresge Auditorium. The performance, entitled “Voyage Sans Visa or Voyage Without a Visa,” explored experiences of African immigration through dance, music and storytelling.
Why do we love open world games? What makes an open world worth exploring? To answer this, I’d like to look back on an open world Role Playing Game (RPG) that has recently been getting a lot of attention due to its incredibly dedicated community: The Elder Scrolls II: Daggerfall—not Skyrim, not Oblivion, but Daggerfall.
On Thursday afternoon, the Bowdoin College Museum of Art hosted the lecture “Thinking about migration through Latinx art” given by Professor of Art History and Chicana/o Studies at the University of California, Los Angeles and Phi Beta Kappa Visiting Scholar Charlene Villaseñor Black.
Last Saturday, student band The Sapiens headlined a concert in the WBOR studio in the basement of Dudley Coe. It was the first time student groups had performed in the space since 2016. The show opened with a set of all original songs by Thando Khumalo ’23.
When explaining her current art style, Katherine Page ’23 described it as “preschool-classroom-esque,” a modest label for work characterized by joyful explosions of color and themes that draw upon scientific discovery, music and social commentary. For Page, the process is just as exuberating as the final product.
Professor of Art at Washington University in St. Louis and publication designer Ken Botnick spoke on the creative process and structure of artist books on Wednesday afternoon. The talk was part of the “Bowdoin and the Book” lecture series in the new Special Collections Learning Lab in Hawthorne-Longfellow Library.
I am usually not a fan of remakes or reboots. The saying goes “if it ain’t broke don’t fix it,” but this idea currently seems to be lost on every Hollywood producer as they cash in on our collective nostalgia for the movies of our childhoods.
Inside the Brunswick Business Center at 18 Pleasant Street, the Points of View Art Gallery can be found. Artwork by Maine-based artists adorn the walls between office spaces for community members, mimicking the interconnected nature of Brunswick itself.
Members of the Bowdoin and Brunswick communities gathered in Kresge Auditorium on Tuesday afternoon for “Emergency of Emergencies: The Aesthetics and Politics of Climate Justice.” The talk was given by TJ Demos, a professor of art history at the University of California, Santa Cruz.
It was difficult to avoid hearing about Cult of the Lamb (2022) while browsing Twitter and other social media circles, and having finally finished the game myself, I can see what the buzz is all about.
The Beatles, Nina Simone, Tangerine Dream, Leadbelly, The Supremes, Tracy Chapman, Dolly Parton, Kult, Sinead O’Conner, Jimi Hendrix, Toto and Muse all have one thing in common: they’ve released a cover of the folk-blues tune “The House of the Rising Sun.” As one of the most covered songs of all time, the track serves as an exemplar of the folk tradition—music that is passed down through hearing and playing, not formal tablature.
In 1962, the College appointed Thomas Cornell as its first full-time, tenured professor of Visual Arts, commencing the Visual Arts program, which would go on to produce artists like Abe Morrell ’77, Angus Wall ’88, Johannes Girardoni ’89 and Shaun Leonardo ’01.
This past February, Thando Khumalo ’23 released her debut EP, “Normal Day.” The project’s honest guitar riffs and calming vocals garnered recognition across campus. Khumalo recorded the EP in the laundry room of her hometown house in Oxford, Massachusetts.
This week, Bowdoin’s student-run radio station, WBOR, broadcast more than 40 radio shows over the FM radio waves to the Brunswick community. With the start of the semester underway, the station’s presence on campus has been felt in force during the past two weeks.
Editor’s Note, September 9, 2022 at 12 p.m.: A previous version of this article misspelled the name of the band. The correct spelling is Night Hawk, not Nighthawk. While most Bowdoin students returned to a campus marked by pre-pandemic normalcy this fall, Colter Adams ’24 and Peyton Semjen ’24 took the semester off to explore their musical passions with their new band, Night Hawk.
On June 25, the Bowdoin College Museum of Art (BCMA) opened its new exhibition “At First Light: Two Centuries of Artists in Maine.” The exhibition, curated by the BCMA Co-Directors Anne and Frank Goodyear, features over 100 pieces by more than 70 different artists.
Sep. 7 at State Theatre – “Mt. Joy” Mt. Joy, an indie rock band with infectious hits such as “Julia” and “Silver Lining” will be touring their newest album “Orange Blood” this fall, with a performance at State Theatre in Portland.
Last Saturday, the Africa Alliance Fashion Show made its comeback to campus in its first show since the pandemic’s onset. Representing a wide range of African nations, members of the club provided and modeled traditional clothing that represented their respective home countries.
Early on Monday evening the Department of Music held Chamberfest, a performance featuring groups of musicians and soloists that spanned across many different genres, traditions and eras of music. Listeners heard everything from a cello solo to a classical guitar duet to a trombone ensemble in Studzinski Recital Hall.
Bowdoin students and members of the Brunswick community packed into Pickard Theater on Monday night to watch a medley of a cappella groups perform. All the campus groups—BOKA, Miscellania, the Longfellows, the Bear Tones, the Meddiebempters and Ursus Verses—performed two songs each, all of which were well received by the energetic crowd.
Bobby Murray ’23, accompanied by a robust group of student musicians and videographers, debuted a live rendition of his album “Planet 2” in Studzinski Recital Hall on Sunday. The original recording of “Planet 2,” which Murray had never before performed live, included all the instrumental and vocal parts that appeared on stage.
Most of my memories are musical. When I reflect on stories from childhood, vivid images are punctuated by songs. My parents’ black-and-white tiled kitchen (before they renovated) is filled with the sounds of Delta blues, a favorite of my dad’s since back when he hosted his own college radio show.
Pastel artist Wendy Edwards visited the Bowdoin College Museum of Art (BCMA) on Wednesday afternoon to speak on the exhibit “Powdered Pigments: Three Centuries of Pastel Drawings” currently on display. The exhibit features more than 30 pieces from the Museum’s collection, showcasing over 300 years of the innovative use of oil pastels.
While this year’s Ivies celebration differedfrom those of past years in many ways, live music remained an integral part of the festivities. This past Saturday, the Bowdoin Student Government (BSG) organized six hours of band performances held on the Museum steps.
This past Sunday, Masque and Gown put on a modernized and translated rendition of the Greek play, “Lysistrata,” on the Bowdoin College Museum of Art steps. The play follows a group of women who withhold sex from their male partners in hopes of ending the Peloponnesian War—a lighthearted end to Ivies weekend.
Spring semester dance classes performed in the Spring Dance Concert in Pickard Hall yesterday and on Wednesday. The performance weaved dance styles and traditions together and included pieces from the Advanced Modern class, the Advanced Afro Modern class and the Introduction to Modern class.
The Office of Gender Violence Prevention and Education (OGVPE) facilitated student participation in the Clothesline Project these past two weeks as part of its Sexual Assault Awareness Month programming. The Clothesline Project, founded in 1990, is a nationwide awareness-raising movement in which participants represent their experience with gender violence on a t-shirt.
Last Friday April 22, jazz and classically-trained musician Candice Hoyes led a live masterclass on the art of performing and captivating an audience in Studzinski Recital Hall. Invited as an artist-in-residence, Hoyes spent her time on campus visiting classes and performing for the College community.
In three shows across today and tomorrow, Masque and Gown will put on a rendition of Shakespeare’s comedy, “Much Ado About Nothing,” in Wish Theater. Through stories of romance, family, and companionship, the production’s cast and crew hope to provide a lighthearted space during a stressful part of the year.
The twenty-third annual Delta Sigma-Delta Upsilon Art Show opened in Lamarche Gallery on Monday, showcasing a diverse range of artwork from Bowdoin students who participated in the competition hosted by The Delta Sigma Alumni Corporation. The five winners were Khalil Kilani ’25, Ereny Morcos ’24, Jilly Sher ’23, Aadhya Ramineni ’23 and Cheng Xing ’23.
In 1980s Japan, during a time of rapid urbanization and technological advancement, a new genre of music sprouted from the era’s bustling, neon streets. Pioneered by Yokohama-born composer and historian Hiroshi Yoshimura, the artistic movement, known as “kankyo ongaku,” or “environment music,” began to spread across the nation.
On Friday, April 1, around 600 students in their evening best walked down the steps of the Bowdoin College Museum of Art (BCMA) to experience its content in a night intended just for them. “It feels like a really special occasion where you have a sense of community and of campus coming together to enjoy a moment of celebration,” Post-Baccalaureate Curatorial Assistant Sabrina Lin ’21 said.
On the night of April 2, Jack Magee’s Pub hosted four student musical groups in the annual Battle of the Bands to decide the opener for Bowdoin Spring Concert headliner, rapper IDK. In the contest’s first running after three years, The Irish step dance performing group BEYONCE (Bowdoin Éireann [Ireland] Ye Olde Neo-Celtic Ensemble), and punk/emo outfit Moosecat won first and second place, respectively, both earning an opening spot at the concert.
Last Friday, rapper IDK headlined the Spring Concert in Morrell Gymnasium with a raucous reception from students. The two winners of the previous week’s Battle of the Bands contest, screamo band Moosecat and Irish band BEYONCE, opened the show.
Over the weekend of April 2, the Bowdoin Film Society hosted its annual 48 Hour Film Festival in which teams were tasked with writing, shooting and editing a 3-10 minute film over the span of two days.
What’s the best remedy for the Sunday scaries? While some swear by ibuprofen and water, Melt, a New York-based band, offered Bowdoin’s campus a unique Sunday remedy this past weekend: high energy, indie-funk pop songs about falling in and out of love, the memories we do (and don’t) keep and growing up in New York City.
Thursday was opening night for “Hook, Line, and Sinker,” a musical spin on the fabled play “Ondine.” Concert, Budget and Equipment Manager Delmar Small wrote the musical and Professor of Theater Davis Robinson directed the show, which will run until Saturday night.
In Yang Ya-che’s 2017 masterpiece “The Bold, the Corrupt, and the Beautiful” there is an impulse for meticulous perfection rarely seen in the industry. Presenting an elaborate labyrinth of a storyline sometimes just as captivating as it is enigmatic, the film’s Chinese title is more telling of its ruthlessness: “The Bloody Bodhisattva.” Unlike other films in the crime drama genre, “The Bold” eschews the ubiquitous themes of guns, exile and intimidating masculinity for a far more understated, yet just as potent, evil, presented with an appetizing elegance and style.
Islands of black-clad fans congregated outside the steps of Portland’s First Parish Church on a Sunday evening in early March. The cool aura of cigarette smoke and septum piercings couldn’t hide their earnest anticipation. To the random passersby, the crowd might have provoked pause, as if Portland’s bygone punk scene had been shaken out of hibernation by the unseasonably warm night.
Curious about the history of Doc Martens? Wondering what constitutes a “gem tone?” For answers, Avant-Garb (AVG), Bowdoin’s student-run fashion and culture publication, is returning online this week to bring awareness to contemporary fashion, film, food and more.
When Donald Trump ascended to the White House in 2017, the creators of CBS’s “The Good Fight” found themselves unable to continue its feel-good vision of an “optimistic” second season. “The current administration was infecting so much of the culture, it felt like people were tired of it,” creators Robert and Michelle King told Variety.
The Bowdoin College Museum of Art (BCMA) opened its newest exhibit, “Jona Frank: Model Home” by photographer Jona Frank on Thursday, February 24. Running through June 5, this exhibit highlights the artist’s childhood in Cherry Hill, New Jersey, through photography and staged scenes.
Marcia Resnick was five years old when her art was first hung in a gallery. Now, 66 years later, Resnick’s art is featured here at Bowdoin, culminating a curation project that began before the pandemic. A natural artist from a young age, Resnick grew up painting and drawing.
Gliding through the noon-blue heat of the Florida interstate, my brother in the driver’s seat asks me to play a song. I’ve never heard of his request before, but trusting his judgment, I search it up on my phone and add it to the queue.
On Friday, the audience for Masque and Gown’s One Act Play Festival filled all eighty folding chairs in the Drake Lobby of Pickard Theater, with an overflow audience watching from the balcony. “I was really excited that so many people came,” said Sinclaire Ledahl ’23, Masque and Gown’s artistic director.
“‘A million years’ means: When he wants to be ‘normal’ one day and leaves you—after that day, every day is a million years.” — Chieh. It is almost callous to describe the central tension in “Dear Ex,” the 2018 Taiwanese film, as a “premise.” Titled (more aptly, in my opinion) in Chinese as “Who Loved Him First,” the story, unfolding in the unassuming streets of Taipei adorned with folk temples and vendors of fried chicken chop, is told with such passion and humanity that its otherwise politically-charged theme of gay romance drew widespread critical acclaim on both sides of the Taiwan Strait.
In 1965, the College’s library moved into the space students now know as the Hawthorne-Longfellow (H-L) Library. Today, the library houses nearly one million books in its 71,000 square-foot space, ranging from contemporary best-sellers, to academic reserves, to a collection series curated by students of color at the College.
The spring round of a cappella auditions concluded with an unexpectedly-high turnout. Auditions began Monday evening, and the final step of the decision-making process took place Wednesday evening. While all a cappella groups held auditions in the fall 2021 semester, not all choose to do so in the spring.
“King Creole” was the name of a mythic Cajun guitarist known for his command of various styles of rock and roll, made famous by the 1958 film named after him starring Elvis Presley. It is also the name of the bouncing intro track from Dawn Richard’s encyclopedic 2021 album, “Second Line.” Like the original “King Creole,” “Second Line” boasts Richard’s mastery of multiple genres.
Native American Students’ Association (NASA) welcomed artist, activist and model Geo Soctomah Neptune to campus in conjunction with the opening of the Wabanaki basket-making exhibit at the Bowdoin College Museum of Art (BCMA). Shandiin Largo ’23, a NASA leader and student curator, sees the exhibit as a display of Native American voices on campus, with special consideration to the historical relationship between Native people and museums.
With auditions for RISE, the performance of Bowdoin women’s stories, coming to a close, the leadership team looks forward to an in-person production they hope will make campus culture safer for women. Khue Anh Tran ’25, a member of the RISE leadership team, was responsible for facilitating auditions with the rest of the RISE team on Sunday.
Content warning: The following contains discussions of sex, nudity and addiction; as well as spoilers for the season two premiere of “Euphoria.” The premiere of the second season of “Euphoria” finally hit television over winter break, at a similarly unhinged juncture in real life—quickly depleting stocks, COVID tests, soaring case loads and declining public trust.
Every now and then, you’ll hear a song that feels like it’s been composed especially for you—its rhythm calibrated to your pulse, lyrics drawn from the marrow of your memory. A few months ago, I came across such a song.
Emma Dewey ’22, the first Bowdoin student to perform an honors dance thesis, previewed her piece, “Crazy American,” on the last day before winter break. Inspired by her Chinese lineage, biracial identity and the migration history of her mother’s family, Dewey crafted a personal piece that combines her focus on anthropology with her studies in dance.
Over the past two weeks, Bowdoin’s campus has seen the culminating performances of many of the College’s instrumental groups—from chamber music groups, to jazz ensembles, to the Middle Eastern Ensemble and the Bowdoin Orchestra, the latter of which concluded this series of concerts on December 7 and 8.
The Bowdoin College Museum of Art (BCMA) opened its doors to the public for the first time in over a year this semester, and the staff has many plans to rekindle engagement in the spring. There are two main initiatives set to roll out early next semester: an anti-racism strategic plan and the museum ambassador program.
In Masque & Gown’s December 8 and 9 performances of “The Antipodes,” the cast and crew posed a number of thought-provoking questions: How many types of stories exist in the world? Will we ever run out of stories?
The Fall 2021 semester marks the return of many musical programs at Bowdoin that have been on hold since the beginning of the pandemic, and, despite new restrictions and uncertainty, the Department of Music has still looked forward to the opportunity to perform for the Bowdoin community once again.
The Hawthorne-Longfellow Library presented the second BIPOC-curated collection of Library materials on Wednesday, November 10. Student curator Shandiin Largo ’23 presented the collection, while Librarian for the Humanities and Media Carmen Greenlee moderated a Q&A session following the presentation.
Mom wasn’t moving as fast as she should’ve on the Friday morning of Family Weekend. The asphalt before us now seemed an insurmountable journey and her speed the only barrier between us and the water. For how many times I had to wait for her on the pavement, it didn’t seem she was that excited.
On Monday, the Department of German hosted a film screening of “Die Wieße Rose” (“The White Rose”) at Smith Auditorium. The film follows the Nazi resistance movement led by Sophie and Hans Schol. During the Q&A that followed the screening, Assistant Professor of German Jens E.
On Tuesday, the Black Lady Art Group joined Elizabeth S. Humphrey ’14 to discuss creating art as Black women at a predominantly white institution. The self-led art class and collective, composed of Amina Sillah ’20, Amani Hite ’20 and Destiny Kearney ’21, served as a safe space for artmaking on campus.
Carrying suitcases of artists’ books published by the Women’s Studio Workshop (WSW) in New York, Erin Zona, the artistic director of WSW and an artist herself, arrived at Bowdoin on Tuesday to speak about her work.
This past Saturday, The Non-Prophets established themselves in the Bowdoin student band scene with a debut performance at Reed House’s Fall Fest. The night also included performances by En Jamb and Mistaken for Strangers. The Non-Prophets’ formation comes on the heels of a campus-wide return to in-person, creative pursuits.
If you’ve walked into Wish Theater at any point in the last few days, you’ve been greeted by a square strip of green turf, a mesh curtain and an array of water bottles. Fluorescent lights and bright orange cones create an indoor soccer field, the set for “The Wolves,” the theater department’s most recent production.
On Thursday evening, glaciologist and artist Jill Pelto visited the Roux Center for the Environment to discuss her use of art to communicate ideas about climate science. The event was a collaboration between the Bowdoin Outing Club (BOC), the Earth and Oceanographic Science and the Visual Arts departments.
Nestled amidst the rows of books at Hawthorne-Longfellow Library is the Special Collections and Archives wing, which houses the rare collection of “The Birds of America” books by John James Audubon. Since 2016, Bowdoin Special Collections Education and Engagement Librarian Marieke Van Der Steenhoven and Bowdoin Director of Special Cllections and Archives Kat Stefko have hosted monthly page-turnings of the life-sized book.
Yasunari Kawabata’s “Snow Country” is set in a remote hot spring—or onsen—town in central Japan. The landscape is beautiful; in the winter, the entire world is rendered white as everything becomes buried in snow. Yet with this beauty also comes a sense of desolation.
Those who have stopped to read the sea of fliers peppering first-year dorm doors and Thorne’s atrium may have noticed one promoting a band called En Jamb. The group, which has become one of Bowdoin’s most prominent student-led bands, began with three students playing music together this past summer.
It was the last night of my O-trip where I found myself on Merritt Island’s shore, gazing at the sky and absentmindedly tracing jewels of land and pine out of the horizon. The ocean in front of me certainly felt my presence; the galloping horse within my chest and the breath of ice at the small of my back.
Aminat Ibn Yusif ’23 spent her Wednesday night grooving to Sarz’s “Good Morning Riddim” in Room 213 of the Peter Buck Fitness Center. Led by Veeva Banga, a South Sudanese dancer from Portland, Maine, Yusif and other attendees explored African-inspired movement and music in the College’s AfroBeats dance workshop.
After a twenty-month long hiatus, Bowdoin’s six a cappella groups reconvened last Friday at Kresge Auditorium for their annual recruitment concert, one of the College’s first large indoor gatherings since prior to the pandemic. “It felt amazing to finally be back in an auditorium, watching groups perform,” said Henry Jodka ’24.
The whisky priest is on the run. In 1930s post-revolutionary Mexico, Catholic priests are not welcomed by the government. Led by an ideologically-driven lieutenant, the police of the southern state of Tabasco have found and captured nearly every priest in the area.
While pandemic restrictions at the College have limited the number of in-person gatherings on campus, Bowdoin’s tradition of live student bands has continued performing into the fall semester. Last Friday, student-run band Mistaken for Strangers performed for the first time in front of a live audience at MacMillan House and plans to continue performing on campus.
A month ago, I got an Instagram DM from an old friend. I admit, I was nervous seeing that iconic red notification pop up in the corner of my homepage. After all, the last time I had spoken to them was in 2019, when both of us were still unaware of the school year ahead.
Senior Lecturer in Dance Gwyneth Jones began the semester on an exciting note as a dance consultant for the play “What Happened?: The Michaels Abroad,” which opened at Frederick Loewe Theater at Hunter College on September 9.
The newest exhibition at the Bowdoin College Museum of Art (BCMA), ‘There Is a Woman in Every Color: Black Women In Art,” opened on Thursday. Elizabeth Humphrey ’14, the exhibition’s curator, and former BCMA Curatorial Assistant and Manager of Student Programs, was inspired to create the exhibition due to a lack of representation of Black women in the Museum’s collection.
Set against the backdrop of a Depression-era mill town in Georgia, Carson McCullers’ “The Heart is a Lonely Hunter” sees four characters, all alone, trapped in the jumbled series of wants, resentments, plots, worlds of their own making.
After more than a year of performing over Zoom, Masque & Gown, Bowdoin’s student-run theater company, will hold in-person auditions for its fall production next week, while the Bowdoin Theater Department will continue its rehearsals for “The Wolves.” Masque & Gown Board Member Sinclaire Ledahl ’23 is working with the group’s other board members to select a show for their fall production and to begin rehearsals in the coming weeks.
Dancers at Bowdoin are getting back on their feet, in person, after a year of virtual rehearsals and Zoom classes. Along with classes and programming within the dance department, 12 student dance groups are beginning to meet in-person this semester.
The Bowdoin College Museum of Art (BCMA) opened its doors, with mandatory masking policies in place, to Bowdoin students and the public on July 1, 2021. According to Curatorial Assistant and Manager of Student Programs Sabrina Lin ’21, the reopening was equally anticipated by students and staff.
After a year-long hiatus due to the pandemic, the Bowdoin Chamber Choir will resume rehearsals and performances for the 2021-2022 academic year. Lecturer in Music Jeffrey Christmas will serve as the group’s new faculty organizer following the retirement of previous organizer Professor of Music Emeritus Robert Greenlee.
It has been ten years since Lee Unkrich’s “Toy Story 3” was nominated for Best Picture at the Academy Awards. Since then, not a single animated film has received the same recognition. Over the past decade, there have been many terrific animated films that pushed the boundaries of storytelling.
On May 22, the Department of Theater and Dance will stream its annual spring dance concert, which will feature student performances from four Bowdoin dance classes. While the concert will be presented as a film, the performers have had the opportunity to dance together for the first time in over a year to record the performance.
