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Them Airs, a band from New Haven County, Connecticut, played a set in Brunswick this week unlike any show I have attended during my time at Bowdoin. No combination of adjectives can properly summarize the band’s style—if one had the arduous task of assigning Them Airs a genre, a mix between art punk, shoegaze and math rock would be the best way of describing them.
A guitar, harmonica and foot drum—somehow Willie Thrasher plays all three at once to produce lively and multilayered folk melodies. Last Wednesday, donning a cowboy hat and Rolling Stones T-shirt, Canadian Inuit musician Willie Thrasher performed in Jack Magee’s Pub and Grill for an audience of students and Brunswick locals.
Temperatures in the high 40s beg the lingering piles of snow to sink back into the earth, and bare legs to begin to peek out below shorts and dresses. With spring break over and many students’ closets swelling with newly thrifted overalls and bucket hats, murmurs begin to wind their way through dorms and dining halls: so, how close is Ivies?
I showed up to the show at 10 p.m. on the dot, hoping to catch the opener. When I arrived, there were give or take, 30 people there. The opener, Sweet Anne and the Milkmen, played a fun set, but there were clear issues with the acoustics immediately.
The grand finale of the suite of events celebrating the opening of the Roux Center will be a concert by indie pop band MisterWives in Morrell Gymnasium tonight. As an email from President Clayton Rose noted, the concert was suggested by David and Barbara Roux as a fun way to close out the week’s celebrations.
Amelia Meath opened Sylvan Esso’s set at the Portland State Theater with a song about songs. “Sound,” the stripped-back opener of the duo’s 2017 album “What Now,” hears Meath at a near whisper, “All you’ll hear is sound, and / All you’ll feel is sound, and / All you’ll be is sound.” The lines aim to unify the natural and the artificial, as Meath sings note for note beside a lone synthesizer.
In an industry where artists are usually discovered on a streaming platform rather than onstage, building a live show or even having stage presence seems no longer necessary to “make it.” But for this series showcasing artists with upcoming concerts in the Portland area, we are lucky to have Hippo Campus, a Minnesota indie band that rose to fame mainly due to a knack for electrifying live performances.
Memorably eccentric and effortlessly endearing, the Tufts-bred band Crumb was an instant hit at Quinby House last Saturday night. The performance, featuring songs from the quartet’s latest EP “Locket,” wrapped up the final installment of WBOR’s fall concert series.
Xenia Rubinos’ music is refreshingly bold and authentic. An up-and-coming singer and composer, Rubinos recently released her album “Black Terry Cat.” Brought to campus by WBOR, she performed a sampling of her music at Ladd House this past Saturday. Rubinos emphasizes the creative capacity of individual experiences and self-expression. Her work documents an ongoing exchange between her state of mind and the exterior world. She describes her style as soulful, with a lot of energy and love.
