You seem to be browsing on a screen size, browser, or device that this website cannot support. Some things might look and act a little weird.
Ben Painter ’19 and Meghan Parsons ’19 collaborated on a photography project titled “Love Theories.” Recipients of the Richard P. Martel Jr. Memorial Prize from the Visual Arts department, their work has been previously featured in the Annual Maine Photography Show as well as a pop-up show at Frontier Cafe and Cinema.
Noname doesn’t need your labels. In the years since her breakout mixtape Telefone, she’s been called “the anti-Cardi B” and “the female Kendrick” by fans eagerly awaiting a second project. While her soft spokenness suggests the former and her lyricial knack the latter, she detests both of these backhanded compliments, telling the Fader, “I’m just Fatimah.” Some already know Fatimah (better known by her stage name Noname) from her stand out features on Chance the Rapper’s early material, or her solo work as Noname on Telefone, a brilliantly warm tape about love, loss and joy in her home Chicago.
My 17th birthday was on a Friday. I woke up to some lovely cards from my family, happy birthday messages from friends and a couple posts on Facebook. I went to school. Around early afternoon, an hour or so before classes let out, I received a text from a friend of mine: “Dude listen to this shit now, it’s insane.” I went into the bathroom, turned my earbuds up, and listened to “HEAT” by Brockhampton (which I soon discovered had no relationship to the Hamptons), off of an album called SATURATION.
Camille Farradas is a member of the Bowdoin Class of 2019 and a visual arts major. She received two Bowdoin grants to work on her art this past summer and will be featured in the Kaempfer Grant show on October 10.
Like undulating ripples of water swept by a lingering breeze, swirls of black lines converge and disperse in linn meyers’ site-specific drawing “Let’s Get Lost.” Complemented by an interactive sound installation “Listening Glass” by Rebecca Bray, James Bigbee Garver and Josh Knowles, the piece transforms the Walker Gallery at the Bowdoin College Museum of Art into a multi-sensory metaphor for artistic process, ephemerality and time.
Paintings and artifacts are not the only treasures one can find in the Bowdoin College Museum of Art (BCMA). Behind the exhibition walls, a passionate team of scholars and creators embody the institution’s wealth of culture, resource and opportunity.
The lights go down, and the whole room is black. Walls, floor, ceiling—everything black. A figure, dressed (you guessed it) in black, emerges from the right, singing in Afrikaans. After nearly 90 minutes of intense interaction and emotional performance, the theater will return to this: everything black.
When we think of art museums, an image of lonesome paintings hanging on pristine, white walls often comes to mind. However, Associate Professor of Classics and Curator for the Ancient Collection James Higginbotham challenges this conventional approach in the new exhibit on display at the Bowdoin College Museum of Art, “In the Round.” “We have a tendency in the modern era to relegate art to the walls.
Upon walking into the Lamarche Gallery in David Saul Smith Union, it’s hard to not be immediately absorbed by the creative world of Evelyn Beliveau ’19. Titled “Presence,” the exhibit is filled with charcoal and pastel portraits, sculptures and line drawings that explore the dynamism of color and form.
Rural Colorado becomes the backdrop for a new kind of utopia in veteran journalist Heather Abel’s first novel, “The Optimistic Decade,” which delves into themes of disillusionment and idealism. On Thursday evening, Abel came to campus to read from the novel and discuss her inspiration, politics and Judaism.
To read more about Mac Miller’s personal journey, click here. We’ve grown up with Mac Miller. From his first mixtapes in 2009 until just last week, late teens and 20-somethings have watched Mac grow from a middle school frat rap sensation into a dedicated connoisseur of hip-hop with a passion for experimentation, jazz and introspection.
Ariana Smith ’21 and Flora Hamilton ’21, members of the Bowdoin jazz program, are creative partners in writing and performing original music on campus. Smith is a singer-songwriter, and Hamilton is a jazz pianist. The following interview has been edited for length and clarity.
Political propaganda, classical tales and five centuries of history are on view at the student-curated exhibition “A Handled History,” showcasing the prestigious Molinari medals collection. Not to be underestimated for their intimate scale, the selection on display is a compact cultural testament to object-collecting and materiality.
For the last 27 years of his career, the 19th-century artist Winslow Homer lived and worked amongst the jagged outcrops and tempestuous tides of Prouts Neck, Maine. The new exhibition at the Bowdoin College Museum of Art, “Winslow Homer and the Camera: Photography and the Art of Painting,” reshapes visitors’ understanding of the iconic American painter.
Callye Bolster ’19 spent her summer following four young recent college graduates as they travel in a van across the country—from Maine to Los Angeles—through the vehicle of her imagination. In her eight-episode animated series, “Vanity,” Bolster brings to life four protagonists who are traveling to a Hollywood audition, engaging with themes of fame, politics and gender.
The Grand Orange Arts Center might be just the place for students looking for a way to explore their artistic sides off campus. Leslie Beattie opened the new studio space in the vacant apartment above her art supply store, The Mix, on Maine Street this summer.
At most shows, audiences see what is on stage but not how it gets there. In his latest work, Professor of Theater Davis Robinson inverts this model, showcasing everything else that might happen just a bit offstage.
Fruit always ripe, gentle chords on the guitar, dancing to The Psychedelic Furs and teenage bodies glistening under the Mediterranean sun—vivid colors and ’80s music set the scene for the sensual gay romance of “Call Me by Your Name.” However, in his Monday night lecture, Associate Professor of Italian and Cinema Studies at University of Oregon Sergio Rigoletto unearthed the hidden symbolism beneath the film’s beautiful imagery, haunting the picture-perfect love story.
Olivia Atwood ’17 and Maggie Seymour ’16 learned plenty at Bowdoin, but they never nailed down the details of what happened during the Watergate scandal. That absence of knowledge is exactly the premise of the alums’ original musical, “Dickie in the House,” which premieres at the Peoples Improv Theater (PIT) in New York on Thursday.
As she prepares to graduate in a few weeks, senior Jae-Yeon Yoo will present the final incarnation of her capstone project “Puberty II,” a musical centered on the experiences of three fictional Asian-American women at a predominantly white liberal arts college, in Studzinski Recital Hall at 7 p.m.
In preparation for the Spring Dance Concert, the Department of Theater and Dance enlisted change agent Katy Pyle as guest choreographer. Though the annual concert typically only showcases the work of the department’s students and faculty, this year, Pyle collaborated on the performance with faculty choreographers Aretha Aoki, Gwyneth Jones and Vanessa Anspaugh.
Life imitates art. Or rather, for Miscellania, life just might imitate the hit 2012 movie “Pitch Perfect.” The group, Bowdoin’s only exclusively female a cappella group, will appear on the Boston television show “Sing That Thing!” tonight at 8 p.m.
Isaac Jaegerman is a 2016 Bowdoin graduate who majored in visual arts. He was recently selected as one of 10 Emerging New England Artists by Art New England magazine and currently works as a technician in the visual arts department.
Welcome to the fifth and final week (for the year) of On PolarFlix, a column meant to do exactly what it sounds like: review films on Bowdoin Student Government (BSG)’s movie streaming service, PolarFlix. This week, we are reviewing Martin Scorsese’s “The Wolf of Wall Street” (2013).
Welcome to the fourth week of On PolarFlix, a column meant to do exactly what it sounds like: review films on Bowdoin Student Government’s movie streaming service, PolarFlix. Given that (if you haven’t heard) it’s Ivies week, we’re reviewing a true party film: “Project X” (2012).
Although the student band Gingersnap is relatively new to the Bowdoin music scene, it is already leaving its mark on campus. Last week, the group won first place for its performance at Battle of the Bands—only its second performance together—and earned the spot as the opening act for D.R.A.M.
Beginning this week, the Department of Theater and Dance will present a selection of senior studio projects in Memorial Hall’s Wish Theater and in other spaces across campus. Featuring original works, improvisation and new arrangements, the series will highlight the talents of each student in the culmination of their theatrical careers at Bowdoin.
Ah, yes. It is finally spring, when flowers begin to rise from the frozen earth and the temperature reaches a mildly comfortable 55 degrees at least once a week. But even more exciting than the return of life to the region is the arrival of Ivies weekend, when solo cups litter the quad and the music world’s best grace the stage of Farley Field House.
World-renowned poet Ross Gay is delighted by public restrooms and bobbleheads. The plastic figures remind him of roughhousing with his brother and a stern scolding from his grandmother, while public restrooms are an overlooked necessity that he calls “a deprivation of a deprivation.” While to some these may seem like strange delights, Gay is inclined to focus on details that are often forgotten in the fast pace of life in order to embody themes of community, family and gratitude.
Welcome to the third week of On PolarFlix, a column meant to do exactly what it sounds like: review films on Bowdoin Student Government (BSG)’s movie streaming service, PolarFlix. This week, in keeping with the news, we are looking back at David Fincher’s “The Social Network” (2010).
There are activists, there are storytellers and there’s Amal Kassir. Unapologetic in her poignant dissections of humanity, the Denver-born, Syrian-American spoken-word poet calls herself an “empathist.” Her Thursday night performance in Kresge Auditorium, sponsored by the Muslim Students Association, presented personal recounts on war, race and religion.
Every piece on display in a new exhibit by Amani Hite ’20, opening this Friday, fulfills the promise of the show’s title: “…And She’s a Black Woman.” “[The] ellipsis in the beginning [represents] that there is something else before that,” said Hite.
Award-winning comic Jenny Yang was an organizer for over 85,000 labor union members when she decided to try her hand at professional joke-making. The Los Angeles-based comedian had made a career out of political activism when she took a risk and devoted herself to what she had always been good at: making people laugh.
Welcome to the second week of On PolarFlix, a column meant to do exactly what it sounds like—review films on Bowdoin Student Government (BSG)’s movie streaming service, PolarFlix. This week, we are going with Oscar contender “I, Tonya,” a biopic about the American ice skater Tonya Harding.
Michael Paterniti’s work combines storytelling in its multiplicity of forms, blurring the lines between creative writing, journalism and creative nonfiction. On Wednesday evening Paterniti visited campus to speak about his writing experience and to read from his recent collection of longform essays, “Love and Other Ways of Dying.” Paterniti doesn’t see his work as strictly falling into any one category.
Jeonguk Choi ’18 is a visual arts and computer science double major from South Korea, who primarily works with “time-based media.” His installation, “the gaps were filled with water that soon evaporated,” is currently on display in the Blue Gallery.
Amelia Meath opened Sylvan Esso’s set at the Portland State Theater with a song about songs. “Sound,” the stripped-back opener of the duo’s 2017 album “What Now,” hears Meath at a near whisper, “All you’ll hear is sound, and / All you’ll feel is sound, and / All you’ll be is sound.” The lines aim to unify the natural and the artificial, as Meath sings note for note beside a lone synthesizer.
This coming fall, Bowdoin will add Alexandria Marzano-Lesnevich to its roster of creative writing professors. Marzano-Lesnevich will be the first tenure track creative nonfiction professor in the English department. A former lawyer and the author of “The Fact of a Body: A Murder and a Memoir,” they bring an interdisciplinary approach to creative writing.
Welcome to On PolarFlix, a column that will review a movie a week that can be found on Bowdoin’s very own, BSG-sponsored “PolarFlix” network. We are starting with Cameron Crowe’s cult classic “Almost Famous” (2000). Plot summary (no spoilers!): “Almost Famous” is a contained movie about colossal subjects: coming of age, the changing nature of rock ’n’ roll, first love and the ultimate disappointment of meeting one’s heroes.
Over the next two weeks, the Lamarche Gallery in David Saul Smith Union will showcase photos of Bowdoin women as part of photoshoot and exhibit “Celebrating Bodies, Celebrating Women,” coordinated by the Sexuality, Women and Gender Center (SWAG).
The newest exhibit at the Bowdoin College Museum of Art (BCMA) consists of one room with couches, chairs, bookshelves, two iPads and a chalkboard. “Reading Room: Experiments in Collaborative Dialogue and Archival Practice in the Arts” is a social practice art exhibit, part of an art discipline that views the creation of a social situation as art in its own right.
Rats, Cardi B and Catholic iconography each have a home in Elizabeth Acevedo’s award-winning slam poetry. Sponsored by the Center for Multicultural Life, Acevedo’s performance on Tuesday night at Jack Magee’s Pub probed into issues of politics, race, culture and womanhood.
Both the visual and nonvisual are on display in the Bowdoin College Museum of Art’s newest exhibition, “Second Sight: The Paradox of Vision in Contemporary Art.” Alongside its array of diverse and often abstract works—from beaded curtains hanging from doorways to auditory works of art—the gallery contains a series of “audible labels” played through an innovative device developed specifically for this show.
Watching “Love and Information” feels a lot like scrolling through your Twitter feed—which you might be, if you happen to sit in the “Tweet Seat” section. Based on the award-winning play by Caryl Churchill, the interactive play tackled what it means to be alive right now—to be constantly inundated by digital media.
“good morning.” “Come sit on my Dick.” “It misses u.” That’s one of the 18 messages on display in “Texts,” an art show that opened in the Blue Gallery in David Saul Smith Union on Tuesday.
Parker Lemal-Brown ’18 is a sociology major and Francophone Studies minor. They started writing plays during the spring of their sophomore year, and their one-act play, “Gesundheit,” was recently selected for the upcoming Maine Playwrights Festival.
With the help of new technology, the Assyrian reliefs in the Bowdoin College Museum of Art are moving back in time. Projected color on the ancient reliefs recreates the way they would have looked in the ninth century BCE, before their paint wore off.
All eyes were on the acrobats in David Saul Smith Union yesterday. Pushing the limits of human strength and flexibility, members of the Kenya-based Zuzu group moved to the pulse of Kenyan music in Bowdoin’s first ever African Arts Festival.
It took 15 students, 20 hours, 25 pounds of drywall screws, 7,000 rubber bands and the vision of Chicago-based artist Tony Lewis to create the unconventional drawings soon to be on display in the Bowdoin College Museum of Art.
This interview has been edited for length and clarity. Q: When did you first start dancing? At Bowdoin or before? A: There is a really small, lovely dance company called Flock Dance Troupe [in Vermont]. It was really close to where I lived, and my dad and I started dancing in it together when I was three.
Blanche Froelich ’19 wanted a unique, year-long study abroad experience. She looked for two criteria when selecting where to travel: first, she wanted to study studio art; second, she wanted to live in a Spanish-speaking country.
Inside a well-lit warehouse somewhere between Portland’s East and West ends, five friends create. They make gestures on canvas, develop film, produce sound and cut video content. Sometimes they lie on the couch and scroll through Instagram, at others they gather around to critique one another’s art, like they did in college.
This weekend in Wish Theater, Masque and Gown will present ‘‘American Idiot,” a rock opera brimming with youthful angst and frustration. Based on the Green Day concept album of the same name, the show includes several of the band’s most beloved songs—including the title track “American Idiot,” as well as “Boulevard of Broken Dreams” and “21 Guns”—and weaves them into a story in which three central characters confront relationships, drug use and their own social and political disillusionment in a bleak, post-September 11 American landscape.
Despite their centuries-long battle for human rights, the stories of Iranian and Muslim women have traditionally been overlooked in American society. Thursday night’s performance of the play “The Poets and the Assassin—Daughters of Iran” in Kresge Auditorium attempted to portray their stories and address the myth of the submissive, passive Middle Eastern woman.
Associate Professor of Theater Abigail Killeen’s reimagining of the culinary splendor in “Babette’s Feast” was no easy task. A new adaptation of the story directed by Karin Coonrod, currently running at Portland Stage, focuses on a universal message of self-sacrifice and service.
In an industry where artists are usually discovered on a streaming platform rather than onstage, building a live show or even having stage presence seems no longer necessary to “make it.” But for this series showcasing artists with upcoming concerts in the Portland area, we are lucky to have Hippo Campus, a Minnesota indie band that rose to fame mainly due to a knack for electrifying live performances.
New York City-based Ashley Gavin has a range of talents: she’s primarily a comedian, but is also a writer and an actor, delving into topics like feminism and homophobia. She tours at colleges, hosts open mic nights, acts in the web series “Gay Girl Straight Girl (GGSG)” and has starred in television shows and movies.
As many Americans reassess the cultural codes surrounding sexual assault, students and faculty turned back in time yesterday evening to reflect on the glamorization of sexual violence in foundational European art within its historical context. Organized by Andrew W.
Bowdoin alumna Susan Coyne’s ’07 picture book “The ABCs of Subverting the Patriarchy” pays homage to a diverse range of provocative and inspiring people—among them, Joan of Arc and Ida B. Wells—who challenged deeply entrenched beliefs about gender, sexuality and race.
This month, poet and co-owner of Gulf of Maine Books Gary Lawless will once again don his Henry Wadsworth Longfellow costume and roam the town reciting poetry to passersby. This tradition is just one aspect of Longfellow Days, a series of events now in its 14th year, which spans Longfellow’s birth month and involves members of both the Brunswick and Bowdoin communities.
Seeking to highlight the role of protest in the 21st century, seniors Eliza Goodpasture and Jenny Ibsen unveiled an art show entitled “PROTEST” in the Lamarche Gallery of David Saul Smith Union on Wednesday night. The exhibit features physical and digital forms of protest collected from members of the Bowdoin community.
It’s the most wonderful time of the year again. Grammy season. When we curl up in front of a TV and let a disputed, possibly unnecessary and outdated institution decide what music all of us liked best in the past year.
The dance department’s annual December show allows students, both novice and advanced, to show off their skills in dance, choreography and staging. This year’s show, without the usual guest performances and more elaborate staging, put the spotlight on the department’s class projects.
Kendrick Lamar’s first mistake was releasing “DAMN.” on Good Friday. Fan theories blew up. The first about Easter Sunday, predicting a “second coming” and a second album on Easter Sunday. Then Lamar’s producer Sounwave tweeted “But what if I told you … that’s not the official version …” with a picture of Morpheus from “The Matrix.” A new theory, this one involving red pills and blue pills emerged, again predicting a second album.
Peter Staley was working as a bond trader at JP Morgan when he was diagnosed with AIDS-related complex in 1985. The country was in the midst of an AIDS crisis, and homophobic sentiment was at an all-time high.
Jason Robert Brown’s “The Last 5 Years” is an unconventional musical. Centered on a tenuous relationship, it features only two actors whose interactions with each other are limited and whose stories run in chronologically opposite directions.
Top Dawg Entertainment (TDE) owns a rap empire at this point. Based out of LA, the label boasts a roster that includes Kendrick Lamar, Schoolboy Q, Isaiah Rashad, Ab-Soul and Jay Rock. But then there’s SZA.
Nicole Tjin A Djie ’21: What got you started with music? Daniel Mayer ’21: My dad and my brother were both musicians, so I got started on piano really early. I didn’t really like it so I started playing my dad’s guitar and I picked that up really easily.
This weekend, the Pickard Theater stage will be filled with gangsters, prostitutes and the unusual sounds of Kurt Weill’s music in Bertolt Brecht’s “The Threepenny Opera.” From the plot to casting to music, this rendition of Brecht’s most well-known opera challenges perceptions of gender and class, particularly when viewed in a modern context.
Memorably eccentric and effortlessly endearing, the Tufts-bred band Crumb was an instant hit at Quinby House last Saturday night. The performance, featuring songs from the quartet’s latest EP “Locket,” wrapped up the final installment of WBOR’s fall concert series.
This year, the Bowdoin College Concert Band will reach a new milestone: its director, John Morneau, will have led the group for 30 consecutive years. “It’s just what I like to do. I just haven’t felt the need for time off,” said Morneau.
Student-led performance and music groups from across campus will come together on Saturday night for a relief concert, organized by Karen Chan ’18 and Grace Punzalan ’18, to raise awareness and funds for the recovery from the natural disasters of this fall, including more recent disasters, such as the wildfires in California.
Eight years ago, Jennifer Egan found herself at a reunion for deep-sea diving army veterans, trying on a 200-pound Mark V diving suit. Research, the Pulitzer-prize winning author told a packed crowd in Kresge Auditorium last night, for her latest and fifth novel, “Manhattan Beach.” Before signing books, Egan read the first chapter of the novel and answered questions about her research and writing process.
Currently on display in Larmarche Gallery is an exhibit both by and about six incarcerated men at the Maine Coastal Regional Reentry Center, a minimum security facility in Belfast. Curator Charlotte Borden ’19 wanted to bring the men’s voices directly into the exhibit by displaying their art and her portraits of them.
For its last three installments of the semester, The Aux Cord will review three of the best albums of 2017. A lot can change between ages 16 and 20. They’re some of “the formative years,” after all.
“How do you get students in this age to talk about controversial materials and controversial issues?” asked Khalid El-Hakim, the curator of the Black History 101 Mobile Museum. At the heart of the touring museum is this question, which El-Hakim tackles using artifacts in an educational setting.
Kodie Garza: What is the most meaningful piece you’ve written and why? Carly Berlin: Oh, that’s hard. I think the piece that I wrote this past summer was meaningful in a lot of ways. This summer I was mostly only working on this story about Clarkson, GA, which is a resettlement area for refugees for the past three decades.
Madeleine Lemal-Brown ’18, one of three presidents of the Bowdoin Slam Poets Society, was inspired to start writing poetry because of Lin-Manuel Miranda. “For me, that was really the first time I had heard anyone [perform] in a way that wasn’t quite rap, but it was this lyrical poetry type of thing,” she said of the writer and star of the hit Broadway musical “Hamilton.” Lemal-Brown is president along with sophomores Sabrina Hunte and John-Paul Castells.
This weekend, families and Bowdoin community members will have the chance to experience Ladd House’s transformation from College House to art gallery. Bowdoin Art Society’s fifth annual Fall Art Show gives students, both inside and outside the visual arts department, the opportunity to put their artwork on display.
Yesterday, Masque & Gown premiered “The Laramie Project,” a production choice that continues the group’s break with the more traditional shows that characterized much of its history. “We had three plays in a row during my time here and, I understand, several more before this that were like white, living-room, family dramas where people sat in their kitchen or living rooms and talked about their white people problems for a nice hour and a half,” said Kathleen Johnson ’19, director of the show, in a discussion at Burnett House last week.
Although Carmen Papalia lost the use of his vision, he does not identify as blind. “I feel that word doesn’t serve me,” he said. “I often think of myself as a non-visual learner—someone who just made a choice to shift the value from the visual to the non-visual … I’d rather describe myself in relation to my learning style and my approach to learning than refer to a word that kind of means, ‘lack of preparedness or awareness.’ You just have to [search for] synonyms for the word ‘blind,’ and you get a long list of negative associations.” Papalia, a Vancouver-based “social practice artist and disability activist,” delivered a lecture about his work at the Bowdoin College Museum of Art (BCMA) on October 19.
Filmmaker Raoul Peck now uses cinema as a platform for social activism. On Monday, the award-winning filmmaker and director of the world-renowned documentary, “I Am Not Your Negro,” came to campus to participate in a Q&A following a screening of his film.
Every rap fan has dreamed it: “What if ______ and ______ made an album together?” But there’s something about the idea of the collab album that just reeks of disappointment. After years of rumors and teases, that Kendrick Lamar/J.
“What happened last October?” Tatana Kellner asked students gathered at the popup show for her printmaking installation “Please Exit, Doors are Closing” on Tuesday in the Edwards Center for Art and Dance. Answer: the 2016 presidential debates, a time during which Kellner was working and reflecting on questions surrounding immigration policy in America.
Last weekend, the Meddiebempsters’ 80th reunion brought together current and former Meddies representing eras of Bowdoin’s history stretching as far back as the 1950s. With such an extensive history on display, cultural shifts over the years were clearly apparent, in everything from the diversity of the group to the music they performed.
Last Saturday, CLIO Award winning producer and director of photography Matt Siegel, along with a few other cinematographers, led an introductory workshop in digital film production for Bowdoin students. Because Bowdoin’s Cinema Studies program focuses heavily on history and theory, the workshop aimed to fill a gap in students’ education about the technical aspects of filmmaking.
Frontier brings more than food to the table. Igniting conversation about the world beyond its rustic walls, Frontier, located in Fort Andross, describes itself as a “food, art and cultural destination.” Here, visitors share intimate conversations and globally inspired meals with views of the churning Androscoggin River below.
David Saul Smith Union’s Lamarche Gallery offers a unique space for student work curated exclusively by students. This Tuesday, the gallery opened an exhibition that gave students the opportunity to display their photography, painting, drawing and poetry from their Kent Island fellowships over the summer.
A “queer disabled nonbinary femme writer and cultural worker of Burger/Tamil Sri Lankan and Irish/Roma ascent” is how Leah Lakshmi Piepzna-Samarasinha describes herself on her website. An activist and poet, she came to Bowdoin last night to share her work in several events sponsored by various groups from all areas of campus, underscoring the intersecting identities that have influenced her experience and perspective.
In his lecture on Wednesday, Jonathan Katz argued that pop art is an inherently queer form of self-expression, an idea originally censored in a now fully-published interview with Andy Warhol. Katz—founder of the Harvey Milk Institute and director of the visual culture studies doctoral program at the State University of New York at Buffalo—presented his interpretation of Andy Warhol’s pop artwork through a unique lens of queer studies and censorship in his lecture, “The Unknown Queer Warhol.” Flowing from an analysis of a resurrected version of this formerly censored interview with Warhol, Katz argued that Warhol’s pop imagery provided no less commentary on modern homosexuality than his blatantly queer early works.
Jude Marx ’18 is an English and education coordinate major who has worked at Bowdoin and beyond to carry out creative projects, mainly through portraiture and creative writing. Her work focuses on the themes of memory and queer identities, as well as other intersecting marginalized identities.
Jhene Aiko – “Jukai” (September 22) Jhene Aiko seems to finally be hitting her stride as one of R&B’s truly unique artists. The cool, unmistakable radiance of her voice has always been there, but on her latest album, “Trip,” Aiko has the production to back it up.
Xenia Rubinos’ music is refreshingly bold and authentic. An up-and-coming singer and composer, Rubinos recently released her album “Black Terry Cat.” Brought to campus by WBOR, she performed a sampling of her music at Ladd House this past Saturday. Rubinos emphasizes the creative capacity of individual experiences and self-expression. Her work documents an ongoing exchange between her state of mind and the exterior world. She describes her style as soulful, with a lot of energy and love.
When viewed in a modern context, the Soviet propaganda posters in the Bowdoin College Museum of Art’s (BCMA) newest exhibit provide not only insight into the rise and fall of the Soviet Union but also a framework for understanding the present.
Idriss Jebari, an Andrew W. Mellon Postdoctoral Fellow in History, understands the power of film to expose new perspectives. Now during his first year at Bowdoin, he has founded a Middle East film series, filled with narrative-driven movies that tell the story of individuals.
From elephants to monkeys to wolves, Deke Weaver ’85 has set out on a lifelong project to create performances for each letter of the alphabet, with each letter representing a different endangered animal or habitat. On Monday, Weaver came to campus to share the four installments of the series at Kresge Auditorium.
For painter and animator Matt Bollinger, art is all about self-expression. Even the pieces that seem outside the realm of possibility are in some way reflective of his experiences. This is especially true of “Apartment 6F,” the animation Bollinger showed at his talk on campus last Monday, which portrays an alternate reality; a neighbor invites the artist to a housewarming party where he is drugged for use as a sacrifice in a satanic ritual.
Earlier this week, Tyler, The Creator tweeted that he originally wrote his single, “See You Again,” for Zayn Malik. At first, it seems odd that the rapper who broke onto the scene talking about having threesomes with a triceratops would be penning lyrics for the former One-D playboy.
Over the summer, over 250 music students fill the College’s dorms for six weeks to learn, practice and play music at a top-tier level. The Bowdoin International Music Festival attracts students from 23 different countries and from the top conservatories in the country, including Juilliard and the Berkeley School of Music.
Most theater productions take weeks, or even months, to rehearse before the curtain rises on opening night. The same is typically true on the Bowdoin stage. But not this Saturday night. At 7 p.m. tomorrow, Masque & Gown actors will perform original plays that were written, directed and rehearsed in only 24 hours.
