Last Saturday afternoon, Masque & Gown, using the steps of the Peary-MacMillian Arctic Museum as a makeshift stage, performed a reading of Terry Wayne Gabbard’s play “Our Place.” The reading marked the first time that Masque & Gown has staged an in-person performance in over a year.
Video game difficulty is extremely adjustable in most cases. However, developer FromSoftware has created a niche genre with strict difficulty as its core tenet. The genre, commonly referred to as “souls-like” (in reference to the game that sparked the genre, “Dark Souls”), is centered around the idea that players want a challenge.
On Wednesday evening, the Italian Studies program welcomed Fred Kudjo Kuwornu, an Italian filmmaker, producer, educator and activist, to discuss the role of digital media in the representation of Afro-Italians. Kuwornu, who gave his virtual lecture from Rome, last visited Bowdoin in April 2018.
On April 9, Associate Professor of Art Carrie Scanga hosted printmaker Mizin Shin for a lecture on her recent work. During her talk, Shin showcased some of her most notable projects and demonstrated the art form’s unique ability to depict contemporary challenges.
Jose Melo ’23 mixed his first beat on his school-issued laptop when he was 13 years old. Today, when he is not doing laboratory work or taking classes for his integrative biology major, Melo sells his dorm-studio-born beats to local artists in his hometown and the greater Boston area.
Last month, the Delta Sigma Alumni Corporation held its twenty-second annual Delta Sigma/Delta Upsilon art competition, which celebrates visual art created by Bowdoin students. Out of 29 submissions, the panel of judges selected pieces from five winning artists: Abby Wang ’23, Camille Amezcua ’22, Bradford Dudley ’23, Lily Poppen ’22, and Aadhya Ramineni ’23.
After a long year without the chance to sing in person, the Bowdoin Meddiebempsters, Bowdoin’s oldest a cappella group, are back on stage. When COVID-19 cases surged last March, the Meddiebempsters had just started their annual tour and were prepared to sing at colleges and venues all over the northeast.
In October 2013, Pokémon introduced the fairy type—the first new Pokémon type since October 2000. In summary, each Pokémon has one or two “types,” and each move has one type. The move’s type determines how effective it will be against the opponent’s type(s).
As the spring 2021 semester begins to come to a close, Finn Woodruff ’21 is polishing and completing his senior music performance project—a collection of original fiddle songs influenced by his experience playing bluegrass, jazz and folk music.
Although COVID-19 has prevented Bowdoin from holding Ivies weekend, several student bands have been working to ensure that students will be able to attend distanced, outdoor concerts as the semester comes to a close. The College’s outdoor concert series began on Saturday with a performance by student band Lady and the Tramps on the steps of Baxter House.
On Wednesday evening, as a part of the Alpha Delta Phi Visiting Writers Series, author and poet Cathy Park Hong visited Bowdoin virtually to discuss her most recent book, “Minor Feelings: An Asian American Reckoning.” The talk was hosted by Kevin Chi ’21, president of the Bowdoin Asian Students Alliance, and moderated by John F.
Ever since middle school, Kate Padilla ’23 has enjoyed creating visual art. Padilla recently began sharing this long-time passion by creating an Instagram page and Etsy shop. On these platforms, she shares and sells watercolor and gouache paintings—her current favorite media.
This spring, Oratorio Chorale—a midcoast Maine-based choral community—will continue holding music workshops in an entirely virtual format. While the Chorale traditionally holds these workshops in person, Artistic Director Emily Isaacson still sees the value in providing community members with opportunities to further or begin their education in music.
A little over a year ago, Bong Joon-Ho’s “Parasite” won the Oscar for Best Picture. 2019 was undoubtedly a great year for films—from Taika Waititi’s “Jojo Rabbit” to Sam Mendes’s “1917”—and yet, “Parasite” was still the clear choice for recognition.
On April 9, The Bowdoin College Museum of Art (BCMA) reopened with limited hours, allowing students living on campus and in residence an opportunity to explore the exhibitions on view. Up until this point in the semester, the Museum has only offered limited engagement opportunities for classes and individual research projects.
Theater and Dance students from Class of 2020 and Class of 2021 present senior studio projects in remote format
In past years, spring in the department of theater and dance has seen the culmination of seniors’ work in studio projects: performances written, directed and acted by Bowdoin students. For the Class of 2020, however, the beginning of the pandemic made live studio productions impossible.
On Thursday evening, the Peary-MacMillan Arctic Museum welcomed Andrew Hartsig ’95, director of the Arctic Program at Ocean Conservatory; Susan Kaplan, professor of anthropology and director of the Peary-MacMillan Arctic Museum and Arctic Studies Center and Laura Henry, professor of government, to discuss the most prominent difficulties and environmental challenges in the Arctic region today.
Turn-based video games are direct descendants of board games and tabletop role-playing games such as Monopoly or Dungeons and Dragons. This video game genre includes classic series, such as Civilization and Total War, and their gameplay consists of players making set moves within a given turn.
Since the beginning of the spring 2021 semester, Emily Ha ’21 has been pursuing a senior honors project in choral conducting—an effort that, during the COVID-19 pandemic, has required far more planning, research and distance between singers than it would have in a more normal semester.
Last Friday evening, the Bowdoin Department of Theater and Dance traded in vocal warm-ups and a house packed full of Bowdoin students for rapid pre-performance COVID-19 testing and cameras placed in an empty Pickard Theater for a staged production of the “Cows of War.” The play, written by Department of Theater and Dance Coordinator Callie Kimball and directed by Associate Professor of Theater Abigail Killeen, marks the Department’s first production since the onset of the COVID-19 pandemic in March 2020.
Mariah Reading ’16, an eco-artist and professional naturalist who cycles through homes and jobs with the seasons, embodies Bowdoin’s interdisciplinary teaching between work and her art. Preserving parklands in the summer and finding work in the winter, Reading’s seasonal lifestyle is one of the biggest influences on her art.
In response to the challenges posed by social distancing and remote learning, several dance groups at Bowdoin—including Polar Bear Swing Dance, VAGUE and Arabesque—have adapted their structures to keep their members socially connected and active. Polar Bear Swing Dance, led by Sydney Cox ’23 and Zachary Kaplan ’21, has been meeting exclusively over Zoom since last semester.
After watching six hours of footage expanded from what was previously one two-hour movie, I can say that “Zack Snyder’s Justice League” is vastly better than the original theatrical release of “Justice League.” A film that was meant to make millions was fumbled so badly by those involved that it took four years before the intended cut was seen by fans.
For photographer Rhea Banker, qamutits, or Greenlandic ice sleds, are more than just a vehicle for traversing an unforgiving arctic landscape—they are objects that tell unique cultural stories. In her virtual lecture, “Qamutit: Portraits in the Landscape,” hosted by the Peary-MacMillan Arctic Museum on Wednesday night, Banker spoke about her work in the Arctic, where she photographed Greenland and the ice sleds that dot its terrain.
Katie Semro ’03 has always enjoyed interdisciplinary work, and her creation of a series of audio art projects is an extension of this passion.. Her most recent project, a podcast called “Mother Mine,” is a collection of stories about mothers from all over the world, as told by their children.
To have been remastered is a point of pride for video games. The game gets updated graphics, more press and, most of all, a port to newer consoles. This shift to newer consoles reinvigorates the player base and introduces newcomers to the series while enticing veterans with a second playthrough.
Spencer Wilkins ’21 has known that he wanted to write a play since the fall of his junior year. Four semesters later, he is preparing for the premiere of his senior studio project, “WALDO,” an original, 87-minute Zoom play that will be pre-recorded and streamed to the Bowdoin community on April 8.
When the onset of the COVID-19 pandemic separated Isabel Thomas ’20 from her musical engagements at Bowdoin, she had to assess how seriously she wanted to keep pursuing singing. A year later, she has grown her confidence as a solo artist, creating an Instagram account for her songs and gaining recognition from some of her favorite artists.
Come Oscar Sunday, it should not be a surprise if (and when) Chloé Zhao’s “Nomadland” wins the coveted Best Picture prize. It was clearly an early favorite, even in a year full of many impressive films.
A year ago, during the first week of March, the Department of Theater and Dance staged a performance of Shakespeare’s “Henry VI, Part II” in Pickard Theater. One week later, students returned home for spring break.
On Wednesday, the Bowdoin College Museum of Art (BCMA) welcomed Dr. Sarah Guérin, to speak in a Zoom lecture about the connection between West Africa and Western Europe during the medieval era. Guérin, an assistant professor of the history of art at the University of Pennsylvania, researches on African-European trade routes.
On Saturday evening, Masque and Gown held its annual one-acts festival over a Zoom Webinar. For the first time in the festival’s history, rehearsals and performances for all three one-acts were entirely virtual—complete with introductory slides, audio components and digital backgrounds.
The Bowdoin Film Society looks forward to re-engaging the College community with cinema through the inaugural launch of Bowdoin Journal of Cinema in May. The Journal is an extension of the Bowdoin Film Society, and came about after Society member Kate McKee ’22 reached out to Finn McGannon ’23, one of the Society’s officers late last fall.
When Bianca Allende Boyd ’21 arrived at Bowdoin, she did not intend to take more than one art course. But after taking Printmaking I during her first semester, her plans changed. Now, Boyd is a visual arts and education coordinate major.
When Associate Professor of Theater Abigail Killeen first heard about the opportunity to act in an episode of the Smithsonian’s “America’s Hidden Stories,” she did not realize that she was auditioning for a starring role. Earlier this month—almost a year after that audition—she made her debut as Elizabeth Van Lew, a Union spy who fought for the abolition of slavery during the Civil War.
The biographical film has been a staple of Hollywood since its creation. Look at Oscar winners in all four of the acting categories from the past 10 years, and you will see that 17 awards have been earned for portrayals of actual people—seven of those being in the Lead Actor category.
Whether inside or outside of the classroom, Blythe Chace ’23 has always felt connected to visual art of all media. Even as she pursues other academic and extracurricular interests, she has always deliberately crafted her schedule to allow time for making art.
In the current near-cessation of live theater due to the COVID-19 pandemic, Sally Rose Zuckert ’19 believes that there is a chance for a reckoning: the invitation to reimagine the institution and question its history. Through her performance in the University of Chicago production of Diana Oh’s “My H8 Letter to the Gr8 American Theater,” Zuckert challenges theater as a cultural reflection and explores inequities that have always existed in the theater industry.
What is art worth without people to experience it? In what has been close to a 12-month period where Brunswick-based art galleries and local independent artists have been forced to curtail and restructure their operations, those in the industry have grappled with just that question—and found creative solutions to operate their businesses and safely bring their work to the world, even during the pandemic.
Ava Jackson ’20 believes that artists are examiners. Artists are constantly taking in the world around them, watching how it works and determining how it could be reflected in art. During a pandemic, though, options for watching the outside world have been limited.
On Wednesday, the Bowdoin College Museum of Art (BCMA) hosted Justin Randolph Thompson for a Zoom presentation, titled: “On Being Present: Recovering Blackness in the Uffizi Galleries.” Thompson, an American artist and the co-founder of Black History Month Florence, has spent the last two decades in Florence, Italy.
It’s safe to say that the majority of present-day moviegoers steer clear of stage-to-screen adaptations. There are films in this subgenre that would be considered classics, like Elia Kazan’s “A Streetcar Named Desire” and Milos Forman’s “Amadeus” and “One Flew Over the Cuckoo’s Nest,” but there is something about the intimacy of watching the film version of a work originally performed as a stage play that turns many audiences off.
On Wednesday, the Office of Gender Violence Prevention and Education (OGVPE) and the Sexuality, Women and Gender Center (SWAG) held the first Women’s Journaling Break of the semester. The group plans to meet every Wednesday evening, from 6 to 7 p.m., via Zoom.
Co-hosted by Maya Dowling-Wolfe ’23 and Esther Park ’23, the Stripped Bear podcast explores self-identity and self-love every Friday. Each month has two solo episodes—one hosted only by Dowling-Wolfe, and one hosted only by Park—one joint episode and one “wild card” episode.
Despite the obstacles of running a radio station amid pandemic restrictions, WBOR, Bowdoin’s radio station, has found inventive ways to keep the College community connected to music. When Bowdoin transitioned to remote learning in the spring 2020 semester, the radio station’s setup did not function anymore.
During her senior year at Bowdoin, Amie Sillah ’20 created Black Lady Art Group: an art class and artist collective where she, Amani Hite ’20 and Destiny Kearney ’21 could focus entirely on creating a safe space for producing and exploring artistic practices as Black women.
In 2016, J.D. Vance released “Hillbilly Elegy: A Memoir of a Family and Culture in Crisis,” and it has been the topic of conversation for years since. Some say it points to why Trump won the 2016 presidential election, as it unveils a group of people living in Appalachia that have seemingly been forgotten.
The Bowdoin visual arts department hopes to showcase student artwork and spark conversation through their new Instagram account. The account, which has been in operation since October, is administered by Colleen Kinsella, visual arts technician, along with Teaching Assistants Sarah Flanagan ’21, Lizzy Gracey ’22 and Abby Wang ’23.
Because the Bowdoin Craft Center, with its sewing machines, pottery wheels and student art displays, is too constrictive to accommodate COVID-19 restrictions this semester, the student managers of the Center have had to find creative ways to involve the community in artistic programming.
Nestled in the back of the Fort Andross building directly overlooking the Androscoggin River, Frontier has served as a community gathering place for over a decade. In addition to a restaurant and a coffee bar, Frontier is an event space that showcases art, music, performance and film.
This past March, during the initial spike in COVID-19 cases, Bowdoin alumna Amanda Newman ’19 launched Miss Manda Pet Portraits. Since then, she has listed over 300 products for sale on her website and has painted and drawn countless custom pet portraits.
The Bowdoin Animation Society (BAS) continues to virtually watch and critique animation through online platforms in an effort to maintain their tight-knit community during the mostly remote fall semester. The members of BAS hope to simulate the social experience of gathering together and discussing animation by using a variety of messengers and servers.
In the third installment of the “Beyond the Reading Room” virtual lecture series hosted by Bowdoin College Library’s George J. Mitchell Department of Special Collections and Archives (Special Collections), literary scholar Susan Beegel joined the Bowdoin community over Zoom on Monday to explore the role of Harriet Beecher Stowe’s novel in transforming Orr’s Island from a fishing village to a summer tourist attraction.
In the COVID-19 era, art looks and sounds different. Vibrant coffee houses have fallen silent, open mics are now closed and the murmur of a live audience has been reduced to quiet clapping and small hands snapping in the corner of a Zoom screen.
With hopes to unite the Bowdoin community through film, the Cinema Studies Program has partnered with the Maine Jewish Film Festival (MJFF), a Portland-based nonprofit, to bring the Festival’s virtual lineup to the screens of students, staff and faculty at no cost.
Over the course of this month, Masque and Gown, Bowdoin’s student theater group, will perform three virtual play readings. In the absence of access to on-campus spaces and equipment, the group has been innovating new ways to connect and bring out its members’ shared enthusiasm for performance.
Last Friday, the visual arts department hosted printmaker Taro Takizawa for a public lecture during which he shared his artwork and spoke about his artistic journey. The event was part of the Marvin Bileck Printmaking Project at Bowdoin, which traditionally involves a weeklong, intensive workshop with a guest artist.
For years, one of my holiday traditions has been watching movies all throughout Thanksgiving break with friends and family. As we approach the end of this unusual year, this tradition of seeing, at times, five movies in the theater is something that I am especially missing.
On Wednesday night, in the midst of an election week with climate change on the ballot, Sunrise Bowdoin held a climate storytelling workshop encouraging the Bowdoin community to connect the climate crisis to their personal identities and lived experiences.
While Bowdoin jazz ensembles might not be able to perform synchronously, the dedication of Anthony Gabory, visiting lecturer in the department of music and leader of the ensembles, has provided musicians with another way of staying connected.
Editor’s note 12/28/2020 at 10:38 p.m.: This article has been updated to accurately reflect details around the establishment of the Movement Collective. Seeking to replace the tedium of Zoom meetings with the joyful experience of shared dance, Lucy Sydel ’22 and Emma Dewey ’22 are transforming the landscape of dance at Bowdoin through the Movement Collective: an expressive, dance-based initiative that emphasizes the need for student connection without the formality of usual Zoom meetings.
Despite having donating over 500 pieces to Bowdoin’s collection, Edward Perry Warren’s name was not known by most students—that is, until Brooke Wrubel ’21 decided to delve deeper into the career of the prolific American antiquities collector.
This semester, fEMPOWER, a student-run organization, is tackling the task of virtually producing the annual show “RISE: Untold Stories of Bowdoin Women,” which showcases the stories of Bowdoin women, while also trying to connect with the Bowdoin community through initiatives such as their new Instagram page.
Jak sie masz! The days are now in the single digits as we wait for the election, and Sacha Baron Cohen decided it was a perfect time to release his new political comedy, “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan.” Although I was thoroughly excited to watch the film, I noticed that there were great differences between the two Borat films.
Over the last eight months of preventative isolation and social distancing, Shane Araujo ’23 has done more than simply pick up a hobby—he has reignited his passion for making art and taken to Instagram to share his work.
Singer and songwriter John Lane ’21 released “Turn Up Country,” a pop-country single, earlier this month. This is Lane’s second officially-released song, and it was written, recorded and produced remotely due to the novel coronavirus (COVID-19) pandemic.
Bowdoin College Alumni Magazine text reads: “This picture of the Senior Center was taken the day after the construction fire on January 20 which damaged the wooden forms at the upper levels of the Center. Students at the Delta Kappa Epsilon House discovered the fire at about 6:30 p.m., and it had pretty well burned itself out by 9 o’clock.
In a normal academic year, Bowdoin’s six a cappella groups would have finished recruitment several weeks ago. The week-long process, which typically takes place in late September, consists of a first round of auditions, a second round of callbacks and the “draft,” where the A Cappella Council meets to express interest in singers and then issue bids to them.
Without the ability to gather for rehearsal on stage this semester, the Bowdoin Symphony Orchestra switched to a remote model. George Lopez, director of the Orchestra, has been working to develop new initiatives to keep members connected.
Over the past few weeks, I have constantly been thinking about the movies that studios are putting on the backburner to release when theaters are completely reopened. I am excited to see Cary Joji Fukunaga’s “No Time To Die,” Edgar Wright’s “Late Night in Soho,” Denis Villeneuve’s “Dune” and, honestly, I am curious about Malcolm D.
During the initial chaos of the coronavirus (COVID-19) pandemic, a month after Bowdoin’s emergency transition to remote instruction, the Theater and Dance Department hired Lily Prentice ’10 as its newest costume shop manager. While the fall semester has been unlike any other for the Theater and Dance Department, Prentice still has her hands full with small- and large-scale sewing projects, educating and advising students about the role of costume in the performing arts and organizing the costume shop—all of which the department lacked the time to do during typical, in-person semesters.
The Bowdoin College Museum of Art (BCMA) has unanimously approved and released an Anti-Racism Action Plan with hopes of pushing the Museum towards greater equity and inclusion. “This statement represents a recommitment on the part of everybody who’s a member of the [BCMA] staff since everybody had an opportunity to read drafts and contribute recommendations,” said Frank Goodyear, co-director of the BCMA, in a Zoom interview with the Orient.
Every Monday at 3 p.m. and 5 p.m. EDT, the Hispanic Studies Department holds one of a series of Creative Writing and Journalism in Spanish Workshops for Bowdoin students, hoping to offer a unique take on language learning in the virtual sphere.
Singer and songwriter Ariana Smith ’21 released “Nostalgia,” an acoustic single, earlier this month. “Nostalgia” is Smith’s second of two produced songs—both of which she released after Bowdoin’s campus switched to remote learning due to the onset of the coronavirus (COVID-19) pandemic.
On Wednesday, Visiting Assistant Professor of Art History Kate Gerry gave two talks about her recent exhibition on the Wyvern Collection—one of the most important privately owned medieval art collections in the world. The Bowdoin College Museum of Art (BCMA) secured a long-term loan of 100 of its objects through an anonymous lender.
The Peary-MacMillan Arctic Museum started planning its move to a virtual format as soon as Bowdoin closed its doors in the spring. Genny LeMoine, the curator and registrar of the Arctic Museum, is leading its virtual programming focused on goals of greater at-home accessibility and a stronger online presence.
Not long ago, it was assumed that two types of film could make studios a significant profit: Disney remakes and Christopher Nolan films. Disney has been churning out remakes of animated classics yearly since Rober Stromberg’s “Maleficent” in 2014.
With only first years, transfer students and a select few upperclass students on campus this semester, maintaining club connections requires extra creativity in the virtual sphere. Ursus Verses, one of Bowdoin’s coed a cappella groups, is working to overcome the challenges of remote learning and to cultivate a supportive musical environment despite the distance.
On Wednesday, the Bowdoin College Museum of Art (BCMA) hosted the first installment of “Art Up Close”—a five-part series where students, staff and faculty come together to discuss art. The first webinar brought together 20 community members to discuss “Protest Art and Black Lives Matter.” Claire Traum ’21 and Lucy Siegel ’22, two members of the Bowdoin College Museum of Art Advisory Council, developed the idea after gaining experience with webinars during summer opportunities.
Working to cultivate community in a time of isolation, the Bowdoin Department of English hosted novelist and essayist Jennine Capó Crucet for an essay reading and a question-and-answer session over Zoom as part of the Alpha Delta Phi Society Visiting Writer Series on Wednesday.
The Bowdoin College Museum of Art (BCMA) must abide by the College’s color-coded campus status levels. Currently, at “yellow” status, first-year writing seminar students and their accompanying faculty members can enter the BCMA for a class visit; at “orange” status, only faculty and staff may enter; at “red” status, only essential staff members may enter the building.
In July 2018, I prepared to go to the 75th Annual Florida Boys State Delegation, sponsored by the American Legion. This event is held all over the nation, with 1,000 rising high school senior boys in each state participating in mock state government.
When the initial surge of coronavirus (COVID-19) cases in the United States led to the shutdown of public spaces nationwide, one of the first things that Brunswick-based singer/songwriter Pete Kilpatrick did was purchase recording equipment with hopes to continue making music.
Between a pandemic and a precarious political climate, very little has gone according to plan over the past several months, and the world has had to learn how to improvise. “Improvabilities,” Bowdoin’s oldest improvisational comedy group, has worked to modify and adapt their craft to suit a remote model.
This semester, without the ability to gather in the studio or rehearse on stage, faculty in the visual and performing arts have had to come up with creative approaches to remote instruction and artistic community-building. Despite these challenges, students have begun the semester with great enthusiasm, filling introductory courses and, in some cases, becoming part of long waitlists.
Sewing face masks from muslin cloth and leftover fabric scraps is not how Costume Shop Manager Julie McMurry anticipated spending her final semester at Bowdoin. “You know, there’s a limit to how many one person can make, but every little bit helps,” McMurry said in a video interview with the Orient.
Eavan Boland H’04, scholar, professor and trailblazing poet, died following a stroke in her home in Dublin on April 27. She was 75. Boland was born in 1944 to Frederick Boland, a diplomat and Irish ambassador to the United Kingdom, and Frances Kelly, a well-known painter.
As remote learning has become the new global norm, college communities have been searching for ways to stay united while physically apart. At Bowdoin, student performance groups are channelling their creativity to bring the College’s community together with virtual performances.
On April 13, the Bowdoin International Music Festival, which brings together students and musicians from over 30 countries and 40 states, announced that it will cancel this year’s in-person masterclasses and performances due to the novel coronavirus (COVID-19) pandemic.
Many of the seniors working on performing arts projects set to debut in the spring are crushed by the fact that they won’t see their capstone projects performed during their last year at the College. Sebastian Hernandez ’20 has a slightly different perspective.
Tina Satter ’96 got the news that she had received a Guggenheim Fellowship in Drama and Performance Art just as the entire landscape of her life’s work began shifting, maybe for good. “The big question, and the constant micro-question of every day [is]: ‘How does theater exist on the other side of [the COVID-19 pandemic]?’ That I don’t even know how to answer, but you go back to the work,” Satter said in a phone call with the Orient.
Katie Filiakova ’22 first developed the idea for a Bowdoin Minecraft Club in the middle of March, while sitting in the Moulton Union with a friend. Little did she know that less than a month later, the digitally-generated campus on the Bowdoin Minecraft server would be the nearest she could get to the real thing.
Late last year, K Irving ’21 downloaded Tik Tok in a moment she only vaguely remembers. She never imagined that just months later, strangers in Moulton Union would approach her and reference her viral videos on the app.
Chase Tomberlin ’20 took inspiration from the Frank Sinatra song “A Man Alone” for the title of his one-man senior studio show. Little did he know, this title would find new meaning in a world of social distancing and remote learning.
Otoboke Beaver is an all-female punk quartet from Kyoto, Japan which plays incredibly fast, angular rock music fueled by liberated rage. The original lineup, composed of singer Accorinrin, guitarist Yoyoyoshie, bassist Nishikawachi and drummer Pop formed in 2009 at Ritsumeikan University’s music club.
For Tori Clarke ’20 and Caroline Farber ’20, a lunchtime conversation in the Moulton Union lightroom became the inspiration for their co-written senior project, “Honey, I’m Home.” The play, which the two have been working on since September, explores the break up of friendships in a theater space.
On March 19, during a virtual ‘town hall’ about the coronavirus (COVID-19) and its impact on the College, President Clayton Rose confirmed the cancellation of this year’s Ivies weekend. The news saddened members of the Bowdoin community, including those on the Entertainment Board (eBoard) who plan the annual spring concert.
David C. Driskell H’89, artist, scholar, curator and titan figure in the field of African American art history, died on April 1 at 88 years old from complications related to the coronavirus (COVID-19). His death was announced by the University of Maryland, which founded the David C.
Before spring break, Lucia Gagliardone ’20 put up posters for her Senior Studio performance, “Like Water.” The first dance major at Bowdoin, she wanted the performance to serve as the culmination of her years-long study at Bowdoin, as in any other department.
Dancing outdoors and sharing snapshots of quarantined family life, faculty from the Department of Theater and Dance relayed an exuberant and spirited message to the Bowdoin community last week. With 2,500 views and counting, professors starred in a video cover of The Temptations’ 1960s Motown hit “Can’t Get Next To You,” taking a humorous—albeit important—stance on the social distancing measures prompted by the coronavirus (COVID-19).