Ariana Smith ’21 and Flora Hamilton ’21, members of the Bowdoin jazz program, are creative partners in writing and performing original music on campus. Smith is a singer-songwriter, and Hamilton is a jazz pianist. The following interview has been edited for length and clarity.
Political propaganda, classical tales and five centuries of history are on view at the student-curated exhibition “A Handled History,” showcasing the prestigious Molinari medals collection. Not to be underestimated for their intimate scale, the selection on display is a compact cultural testament to object-collecting and materiality.
For the last 27 years of his career, the 19th-century artist Winslow Homer lived and worked amongst the jagged outcrops and tempestuous tides of Prouts Neck, Maine. The new exhibition at the Bowdoin College Museum of Art, “Winslow Homer and the Camera: Photography and the Art of Painting,” reshapes visitors’ understanding of the iconic American painter.
Callye Bolster ’19 spent her summer following four young recent college graduates as they travel in a van across the country—from Maine to Los Angeles—through the vehicle of her imagination. In her eight-episode animated series, “Vanity,” Bolster brings to life four protagonists who are traveling to a Hollywood audition, engaging with themes of fame, politics and gender.
The Grand Orange Arts Center might be just the place for students looking for a way to explore their artistic sides off campus. Leslie Beattie opened the new studio space in the vacant apartment above her art supply store, The Mix, on Maine Street this summer.
Fruit always ripe, gentle chords on the guitar, dancing to The Psychedelic Furs and teenage bodies glistening under the Mediterranean sun—vivid colors and ’80s music set the scene for the sensual gay romance of “Call Me by Your Name.” However, in his Monday night lecture, Associate Professor of Italian and Cinema Studies at University of Oregon Sergio Rigoletto unearthed the hidden symbolism beneath the film’s beautiful imagery, haunting the picture-perfect love story.
Olivia Atwood ’17 and Maggie Seymour ’16 learned plenty at Bowdoin, but they never nailed down the details of what happened during the Watergate scandal. That absence of knowledge is exactly the premise of the alums’ original musical, “Dickie in the House,” which premieres at the Peoples Improv Theater (PIT) in New York on Thursday.
As she prepares to graduate in a few weeks, senior Jae-Yeon Yoo will present the final incarnation of her capstone project “Puberty II,” a musical centered on the experiences of three fictional Asian-American women at a predominantly white liberal arts college, in Studzinski Recital Hall at 7 p.m.
In preparation for the Spring Dance Concert, the Department of Theater and Dance enlisted change agent Katy Pyle as guest choreographer. Though the annual concert typically only showcases the work of the department’s students and faculty, this year, Pyle collaborated on the performance with faculty choreographers Aretha Aoki, Gwyneth Jones and Vanessa Anspaugh.