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Frank Mauceri, senior lecturer in music and coach of Bowdoin’s jazz combos, loves to play music with students. His other, more unconventional combo-partner, however, is his computer. Mauceri merges music with computer science, using machine learning and machine listening to …
A throne perches atop an eight-foot high platform, an illuminated golden hoop descends from the ceiling and thick lengths of rope frame the stage. This sleek depiction of a castle interior sets the scene for an often-overlooked Shakespearean war drama.…
When you walk into the Boyd Gallery on the second floor of the Bowdoin College Museum of Art (BCMA), you encounter “Fast Fashion/Slow Art”—an exhibition that scrutinizes the contemporary garment industry through videos, installations and collaborations with contemporary artists and …
How can singing be used as a form of power? The answer, for the singers and instrumentalists in the Women’s Cabaret, is to reclaim women’s identities from historically misogynistic songs, through a process of optimistic reappropriation and celebration of female …
There are few, if any, modern folk singers whose discographies and impact on popular music can rival that of Buffy Sainte-Marie. Although she is not as much of a household name as other folk legends such as Bob Dylan or …
Visual Arts major Tala Glass ’20 held up a watermelon-sized model of the final project she had in mind for her advanced studio class. It’s a wood frame structure of a room she intends to make life-size, so that viewers …
Using artwork to depict the transatlantic slave trade can both resurface trauma and make vivid the resistance of culture and sprituality. Portland-based artist Daniel Minter grapples with both of these realities, using physical forms and patterns of West African motifs …
In 2006, the midst of the 2000s mainstream pop-punk acts, The Friday Night Boys formed with Bowdoin junior Robert Reider ’07 as its bassist. Fourteen years later—after two albums, three EPs and multiple tours with names such as Boys Like …
Rarely does the process of embalming incite romance, but in the Wish Theatre this past Saturday, love bloomed amidst dead bodies and shaving cream. Or, at least, it did for the duration of “Over My Dead Body,” written by Dylan …
The line between a good show and a great show is largely undefinable. How can you quantify fun? M.A.K.U. Soundsystem, a genre-blending band whose music draws from a broad swath of influences spanning from cumbia to psychedelic rock, played a …
