When Bowdoin announced its plans for the fall semester on June 22, I was not surprised or particularly upset. COVID-19 is far from under control, and a vaccine is still many months away. The usual residential college model, with its tight learning, living and dining quarters, seems nearly impossible in an era of social distancing.
On Maine’s southern border with New Hampshire, a large blue sign stands at the north end of the Piscataqua River Bridge. “Welcome to Maine—the way life should be,” it reads. For decades, motorists have passed this landmark on their way north, and it’s become an iconic part of the state’s brand.
In my two years at Bowdoin, I have thought about my home state more than ever before. Surrounded by people from different regions of the country and around the globe, I have the opportunity both to engage with diverse perspectives and to critically consider my own.
In 2013, Josh Katz, a graphics editor for The New York Times, published an online dialect quiz entitled “How Y’all, Youse and You Guys Talk.” After you answer a series of questions about what term you might use for a specific concept and how you might pronounce a certain vowel, the quiz compiles your answers and shows you a heat map of what areas of the United States correspond to the linguistic features of your speech.
Growing up in Orono, Maine, I was never far removed from Maine’s paper industry. On some days, when the wind was right, the acrid scent of the paper mill in Old Town would waft down the Penobscot River and into my house.
Bowdoin College prides itself on its connection to community. Visit our website and you’ll see countless references to Brunswick and to Maine, touting the College’s close relationship with its Midcoast host and the state it sits in.
In her recent inaugural address, Maine’s new governor Janet Mills laid out an ambitious plan to bolster the state’s economy, combat the opioid crisis and address climate change. She also sent a strong message of unity to her audience, proclaiming, “We are one Maine, undivided, one family from Calais to Bethel, from York to Fort Kent.” With this one sentence, Governor Mills did more than set a new course from the divisive LePage era.
This past summer, as I was inspecting storm drains in a neighborhood of Sabattus, Maine, an elderly man approached me from his driveway. His name was Marcel, and though he was initially only curious about what I was doing, our conversation soon blossomed into a discussion about his life.
Next week on October 17, Central Maine Power (CMP) is holding its final public hearing on New England Clean Energy Connect (NECEC), a proposed transmission line through Maine’s North Woods that would connect hydroelectric power generated by provincial utility Hydro-Québec to customers in Massachusetts.
September in Maine is a wonderful experience. The leaves begin to turn, the days get colder, the apples ripen to perfection and the harvest begins. Accompanying these seasonal changes in the environment, however, is an event that truly marks the transition to fall: the departure of most of Maine’s tourists.
In April of 2016, in my junior year of high school, I came to Bowdoin on the first stop of a series of college tours that took me across New England. I don’t remember much from that inaugural visit, but I do remember one particular landmark: a small, red brick building on the north end of the quad.
As she prepares to graduate in a few weeks, senior Jae-Yeon Yoo will present the final incarnation of her capstone project “Puberty II,” a musical centered on the experiences of three fictional Asian-American women at a predominantly white liberal arts college, in Studzinski Recital Hall at 7 p.m.
Isaac Jaegerman is a 2016 Bowdoin graduate who majored in visual arts. He was recently selected as one of 10 Emerging New England Artists by Art New England magazine and currently works as a technician in the visual arts department.
Beginning this week, the Department of Theater and Dance will present a selection of senior studio projects in Memorial Hall’s Wish Theater and in other spaces across campus. Featuring original works, improvisation and new arrangements, the series will highlight the talents of each student in the culmination of their theatrical careers at Bowdoin.
This month, Bowdoin’s Asian Students Alliance (ASA) will host Asian Heritage Month, an opportunity to reflect on and discuss the importance of Asian and Asian American identities and to celebrate their diversity. Inspired by the nationwide observance of Asian American and Pacific Islander Heritage Month in May, which commemorates important dates such as the first arrivals of Japanese immigrants and the completion of the Transcontinental Railroad, Bowdoin’s Asian Heritage Month will include discussions with artists, media icons and other prominent figures in the Asian American and wider Asian community.
Parker Lemal-Brown ’18 is a sociology major and Francophone Studies minor. They started writing plays during the spring of their sophomore year, and their one-act play, “Gesundheit,” was recently selected for the upcoming Maine Playwrights Festival.
This weekend in Wish Theater, Masque and Gown will present ‘‘American Idiot,” a rock opera brimming with youthful angst and frustration. Based on the Green Day concept album of the same name, the show includes several of the band’s most beloved songs—including the title track “American Idiot,” as well as “Boulevard of Broken Dreams” and “21 Guns”—and weaves them into a story in which three central characters confront relationships, drug use and their own social and political disillusionment in a bleak, post-September 11 American landscape.
Since mid-December, more than 60 students’ email accounts have been hacked, resulting in a series of phishing attempts. Emails claiming association with Temple University and such fictional institutions as “Recruitment Team,” “Market Force Information” and “Mystery Shoppers” arrived in inboxes with promises of easy pay—provided that recipients enter sensitive personal information first.
Jason Robert Brown’s “The Last 5 Years” is an unconventional musical. Centered on a tenuous relationship, it features only two actors whose interactions with each other are limited and whose stories run in chronologically opposite directions.
This year, the Bowdoin College Concert Band will reach a new milestone: its director, John Morneau, will have led the group for 30 consecutive years. “It’s just what I like to do. I just haven’t felt the need for time off,” said Morneau.
Madeleine Lemal-Brown ’18, one of three presidents of the Bowdoin Slam Poets Society, was inspired to start writing poetry because of Lin-Manuel Miranda. “For me, that was really the first time I had heard anyone [perform] in a way that wasn’t quite rap, but it was this lyrical poetry type of thing,” she said of the writer and star of the hit Broadway musical “Hamilton.” Lemal-Brown is president along with sophomores Sabrina Hunte and John-Paul Castells.
When Bowdoin first opened its doors on September 3, 1802, it had two employees: President Joseph McKeen and one professor, John Abbot. Together, they taught eight students. Since then, the College has grown to staff over 945 employees with 1,806 students.