Coiling forms, spatial fantasies and abstracted bodies—boundaries between the real and the imagined become indistinguishable in the vibrant canvases and eerie motifs of Sascha Braunig’s work. Originally from Canada, the Portland-based artist came to Edwards Center for Art and Dance on Tuesday afternoon, decoding her pictorial puzzles through a glimpse into her creative evolution.
Flashing lights, flocks of ill-tempered travelers, the symphony of yelling intermixed with cars honking—I was instantly shrouded in the familiar temperament of the city as I stepped outside the arrival hall. Within a matter of minutes, thanks to being a seasoned veteran of John.
Like undulating ripples of water swept by a lingering breeze, swirls of black lines converge and disperse in linn meyers’ site-specific drawing “Let’s Get Lost.” Complemented by an interactive sound installation “Listening Glass” by Rebecca Bray, James Bigbee Garver and Josh Knowles, the piece transforms the Walker Gallery at the Bowdoin College Museum of Art into a multi-sensory metaphor for artistic process, ephemerality and time.
For the last 27 years of his career, the 19th-century artist Winslow Homer lived and worked amongst the jagged outcrops and tempestuous tides of Prouts Neck, Maine. The new exhibition at the Bowdoin College Museum of Art, “Winslow Homer and the Camera: Photography and the Art of Painting,” reshapes visitors’ understanding of the iconic American painter.
Fruit always ripe, gentle chords on the guitar, dancing to The Psychedelic Furs and teenage bodies glistening under the Mediterranean sun—vivid colors and ’80s music set the scene for the sensual gay romance of “Call Me by Your Name.” However, in his Monday night lecture, Associate Professor of Italian and Cinema Studies at University of Oregon Sergio Rigoletto unearthed the hidden symbolism beneath the film’s beautiful imagery, haunting the picture-perfect love story.
With its history of Arctic exploration and museum research, Bowdoin’s connection to the Arctic go way back. Today, with issues still surrounding various polar environments, Bowdoin continues to make strides in the field, as exemplified through a continuous, cross-disciplinary pursuit by faculty members across several academic departments.
There are activists, there are storytellers and there’s Amal Kassir. Unapologetic in her poignant dissections of humanity, the Denver-born, Syrian-American spoken-word poet calls herself an “empathist.” Her Thursday night performance in Kresge Auditorium, sponsored by the Muslim Students Association, presented personal recounts on war, race and religion.
Rats, Cardi B and Catholic iconography each have a home in Elizabeth Acevedo’s award-winning slam poetry. Sponsored by the Center for Multicultural Life, Acevedo’s performance on Tuesday night at Jack Magee’s Pub probed into issues of politics, race, culture and womanhood.
Associate Professor of Theater Abigail Killeen’s reimagining of the culinary splendor in “Babette’s Feast” was no easy task. A new adaptation of the story directed by Karin Coonrod, currently running at Portland Stage, focuses on a universal message of self-sacrifice and service.