I showed up to the show at 10 p.m. on the dot, hoping to catch the opener. When I arrived, there were give or take, 30 people there. The opener, Sweet Anne and the Milkmen, played a fun set, but there were clear issues with the acoustics immediately.
Remember when Kobe Bryant tweeted about “Carter V season?” Neither do we. It was part of a promotional campaign back in 2014, when “Tha Carter V” was originally set to release that May. Lil Wayne promised the album three more times in 2014, all in vain due to legal battles with Cash Money Records.
Noname doesn’t need your labels. In the years since her breakout mixtape Telefone, she’s been called “the anti-Cardi B” and “the female Kendrick” by fans eagerly awaiting a second project. While her soft spokenness suggests the former and her lyricial knack the latter, she detests both of these backhanded compliments, telling the Fader, “I’m just Fatimah.” Some already know Fatimah (better known by her stage name Noname) from her stand out features on Chance the Rapper’s early material, or her solo work as Noname on Telefone, a brilliantly warm tape about love, loss and joy in her home Chicago.
My 17th birthday was on a Friday. I woke up to some lovely cards from my family, happy birthday messages from friends and a couple posts on Facebook. I went to school. Around early afternoon, an hour or so before classes let out, I received a text from a friend of mine: “Dude listen to this shit now, it’s insane.” I went into the bathroom, turned my earbuds up, and listened to “HEAT” by Brockhampton (which I soon discovered had no relationship to the Hamptons), off of an album called SATURATION.
To read more about Mac Miller’s personal journey, click here. We’ve grown up with Mac Miller. From his first mixtapes in 2009 until just last week, late teens and 20-somethings have watched Mac grow from a middle school frat rap sensation into a dedicated connoisseur of hip-hop with a passion for experimentation, jazz and introspection.
Ah, yes. It is finally spring, when flowers begin to rise from the frozen earth and the temperature reaches a mildly comfortable 55 degrees at least once a week. But even more exciting than the return of life to the region is the arrival of Ivies weekend, when solo cups litter the quad and the music world’s best grace the stage of Farley Field House.
Amelia Meath opened Sylvan Esso’s set at the Portland State Theater with a song about songs. “Sound,” the stripped-back opener of the duo’s 2017 album “What Now,” hears Meath at a near whisper, “All you’ll hear is sound, and / All you’ll feel is sound, and / All you’ll be is sound.” The lines aim to unify the natural and the artificial, as Meath sings note for note beside a lone synthesizer.
In an industry where artists are usually discovered on a streaming platform rather than onstage, building a live show or even having stage presence seems no longer necessary to “make it.” But for this series showcasing artists with upcoming concerts in the Portland area, we are lucky to have Hippo Campus, a Minnesota indie band that rose to fame mainly due to a knack for electrifying live performances.
Kendrick Lamar’s first mistake was releasing “DAMN.” on Good Friday. Fan theories blew up. The first about Easter Sunday, predicting a “second coming” and a second album on Easter Sunday. Then Lamar’s producer Sounwave tweeted “But what if I told you … that’s not the official version …” with a picture of Morpheus from “The Matrix.” A new theory, this one involving red pills and blue pills emerged, again predicting a second album.
Top Dawg Entertainment (TDE) owns a rap empire at this point. Based out of LA, the label boasts a roster that includes Kendrick Lamar, Schoolboy Q, Isaiah Rashad, Ab-Soul and Jay Rock. But then there’s SZA.