Whether it’s trekking up the ramp to get to the Hubbard Stacks, staring into the windows of Lamarche Gallery while working on a problem set or sinking into a couch right in the middle of the Blue Box, Bowdoin students can easily find art in their surroundings.
Bright colors, wheels and an endless amount of materials can feed anyone’s artistic hunger in a small, white building tucked away behind the Office of Admissions. Bowdoin’s Craft Center offers a range of creative activities beloved by students, from knitting to sewing to jewelry-making.
Darius Riley is a senior visual arts major and photographer from East Palo Alto, California, who also co-founded Bowdoin’s creative and fashion magazine, Avant-Garb Magazine. The following interview has been edited for length and clarity. The Bowdoin Orient: How would you describe yourself as an artist?
When visitors walk into the exhibition “Heavy Water” in the Telfair Museum in Savannah, Georgia, they are absorbed in a lush soundscape, accompanied by screens depicting wild dogs weaving through the woods. The question that follows is: what am I looking at?
Coiling forms, spatial fantasies and abstracted bodies—boundaries between the real and the imagined become indistinguishable in the vibrant canvases and eerie motifs of Sascha Braunig’s work. Originally from Canada, the Portland-based artist came to Edwards Center for Art and Dance on Tuesday afternoon, decoding her pictorial puzzles through a glimpse into her creative evolution.
Black and white lines converge and juxtapose to form patterns—chaotic, dynamic and full of movement; the artwork of Frank Mauceri, senior lecturer in music, presents a touch of novelty and surprise. Viewers would never guess that behind the complex mark-making of Mauceri’s artwork lie algorithms generated by careful computer programming.
Members of the Bowdoin Art Society have studied masterpieces of art in the context of the classroom, and now that cultivated lens is turned towards work of a slightly different nature, as student curators transform Ladd House with art created by their peers.
Seductive, playful, spectacle—these are words artist Stephanie Rothenberg uses to describe her work. As the inaugural Roux Scholar, she will work with a group of students to create a Bowdoin-specific installation of that nature later this year.
On October 3, Joel Babb, a renowned landscape painter based in Sumner, Maine, presented his art and creative process in the Edwards Center for Art and Dance. Referencing Roman monuments and Baroque landscapes, he guided his audience through his decades-long journey in capturing nature and culture.
Camille Farradas is a member of the Bowdoin Class of 2019 and a visual arts major. She received two Bowdoin grants to work on her art this past summer and will be featured in the Kaempfer Grant show on October 10.
Upon walking into the Lamarche Gallery in David Saul Smith Union, it’s hard to not be immediately absorbed by the creative world of Evelyn Beliveau ’19. Titled “Presence,” the exhibit is filled with charcoal and pastel portraits, sculptures and line drawings that explore the dynamism of color and form.
Isaac Jaegerman is a 2016 Bowdoin graduate who majored in visual arts. He was recently selected as one of 10 Emerging New England Artists by Art New England magazine and currently works as a technician in the visual arts department.
Every piece on display in a new exhibit by Amani Hite ’20, opening this Friday, fulfills the promise of the show’s title: “…And She’s a Black Woman.” “[The] ellipsis in the beginning [represents] that there is something else before that,” said Hite.
Jeonguk Choi ’18 is a visual arts and computer science double major from South Korea, who primarily works with “time-based media.” His installation, “the gaps were filled with water that soon evaporated,” is currently on display in the Blue Gallery.
Blanche Froelich ’19 wanted a unique, year-long study abroad experience. She looked for two criteria when selecting where to travel: first, she wanted to study studio art; second, she wanted to live in a Spanish-speaking country.
Inside a well-lit warehouse somewhere between Portland’s East and West ends, five friends create. They make gestures on canvas, develop film, produce sound and cut video content. Sometimes they lie on the couch and scroll through Instagram, at others they gather around to critique one another’s art, like they did in college.
Bowdoin alumna Susan Coyne’s ’07 picture book “The ABCs of Subverting the Patriarchy” pays homage to a diverse range of provocative and inspiring people—among them, Joan of Arc and Ida B. Wells—who challenged deeply entrenched beliefs about gender, sexuality and race.
Currently on display in Larmarche Gallery is an exhibit both by and about six incarcerated men at the Maine Coastal Regional Reentry Center, a minimum security facility in Belfast. Curator Charlotte Borden ’19 wanted to bring the men’s voices directly into the exhibit by displaying their art and her portraits of them.
“What happened last October?” Tatana Kellner asked students gathered at the popup show for her printmaking installation “Please Exit, Doors are Closing” on Tuesday in the Edwards Center for Art and Dance. Answer: the 2016 presidential debates, a time during which Kellner was working and reflecting on questions surrounding immigration policy in America.
David Saul Smith Union’s Lamarche Gallery offers a unique space for student work curated exclusively by students. This Tuesday, the gallery opened an exhibition that gave students the opportunity to display their photography, painting, drawing and poetry from their Kent Island fellowships over the summer.
In his lecture on Wednesday, Jonathan Katz argued that pop art is an inherently queer form of self-expression, an idea originally censored in a now fully-published interview with Andy Warhol. Katz—founder of the Harvey Milk Institute and director of the visual culture studies doctoral program at the State University of New York at Buffalo—presented his interpretation of Andy Warhol’s pop artwork through a unique lens of queer studies and censorship in his lecture, “The Unknown Queer Warhol.” Flowing from an analysis of a resurrected version of this formerly censored interview with Warhol, Katz argued that Warhol’s pop imagery provided no less commentary on modern homosexuality than his blatantly queer early works.
Jude Marx ’18 is an English and education coordinate major who has worked at Bowdoin and beyond to carry out creative projects, mainly through portraiture and creative writing. Her work focuses on the themes of memory and queer identities, as well as other intersecting marginalized identities.
For painter and animator Matt Bollinger, art is all about self-expression. Even the pieces that seem outside the realm of possibility are in some way reflective of his experiences. This is especially true of “Apartment 6F,” the animation Bollinger showed at his talk on campus last Monday, which portrays an alternate reality; a neighbor invites the artist to a housewarming party where he is drugged for use as a sacrifice in a satanic ritual.
Death is far from the minds of most college students. With its newest exhibition, “The Ivory Mirror,” the College Museum of Art attempts to show just how relevant questions of mortality are to the lives of Bowdoin students.
The first image visitors see when they enter the Bowdoin College Museum of Art’s newest exhibition, “Why Draw? 500 Years of Drawings and Watercolor,” is a seven-foot-tall portrait of pop culture icon Pharrell Williams, created with techniques that date back to the Renaissance-era drawings that are displayed alongside it.
Senior visual arts majors presented their final exhibitions on Monday evening in an eclectic display of video monitors, sound art, photography and large oil portraits on canvas. In the culmination of their Senior Studio class, many students utilized both traditional and non-traditional mediums to reflect on their personal experiences at Bowdoin and at home.