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Visual Arts

Visual Arts

Art-Chopped competition brings crowd and seeks to mend student-athlete divide

Last Thursday, students of all class years flocked to Jack Magee’s Pub and Grill in Smith Union to witness Bowdoin’s first ever “Art-Chopped” competition. The event, piloted by Assistant Class Dean Roosevelt Boone and Assistant Director of Student Activities Eunice Shin, aimed to provide students with an outlet to showcase their artistic capabilities.

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Visual Arts

Five students selected for the twenty-third Delta Sigma-Delta Upsilon art competition

The twenty-third annual Delta Sigma-Delta Upsilon Art Show opened in Lamarche Gallery on Monday, showcasing a diverse range of artwork from Bowdoin students who participated in the competition hosted by The Delta Sigma Alumni Corporation. The five winners were Khalil Kilani ’25, Ereny Morcos ’24, Jilly Sher ’23, Aadhya Ramineni ’23 and Cheng Xing ’23.

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arts

Weaving together identities

Native American Students’ Association (NASA) welcomed artist, activist and model Geo Soctomah Neptune to campus in conjunction with the opening of the Wabanaki basket-making exhibit at the Bowdoin College Museum of Art (BCMA). Shandiin Largo ’23, a NASA leader and student curator, sees the exhibit as a display of Native American voices on campus, with special consideration to the historical relationship between Native people and museums.

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Moments in Paint

Magic in the water

It was the last night of my O-trip where I found myself on Merritt Island’s shore, gazing at the sky and absentmindedly tracing jewels of land and pine out of the horizon. The ocean in front of me certainly felt my presence; the galloping horse within my chest and the breath of ice at the small of my back.

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Exhibitions

‘There is a Woman in Every Color: Black Women in Art’ opens at the BCMA

The newest exhibition at the Bowdoin College Museum of Art (BCMA), ‘There Is a Woman in Every Color: Black Women In Art,” opened on Thursday. Elizabeth Humphrey ’14, the exhibition’s curator, and former BCMA Curatorial Assistant and Manager of Student Programs, was inspired to create the exhibition due to a lack of representation of Black women in the Museum’s collection.

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Brunswick

Brunswick-based artists and galleries recount triumphs and struggles of past year

What is art worth without people to experience it? In what has been close to a 12-month period where Brunswick-based art galleries and local independent artists have been forced to curtail and restructure their operations, those in the industry have grappled with just that question—and found creative solutions to operate their businesses and safely bring their work to the world, even during the pandemic.

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Student Life

Bowdoin Animation Society takes advantage of online platforms to stay connected

The Bowdoin Animation Society (BAS) continues to virtually watch and critique animation through online platforms in an effort to maintain their tight-knit community during the mostly remote fall semester. The members of BAS hope to simulate the social experience of gathering together and discussing animation by using a variety of messengers and servers.

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Art History

BCMA exhibition illuminates Wyvern Collection

On Wednesday, Visiting Assistant Professor of Art History Kate Gerry gave two talks about her recent exhibition on the Wyvern Collection—one of the most important privately owned  medieval art collections in the world. The Bowdoin College Museum of Art (BCMA) secured a long-term loan of 100 of its objects through an anonymous lender.

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Anti-Racism

Museum webinar links visual art to anti-racist work

On Wednesday, the Bowdoin College Museum of Art (BCMA) hosted the first installment  of “Art Up Close”—a five-part series where students, staff and faculty come together to discuss art. The first webinar brought together 20 community members to discuss “Protest Art and Black Lives Matter.” Claire Traum ’21 and Lucy Siegel ’22, two members of the Bowdoin College Museum of Art Advisory Council, developed the idea after gaining experience with webinars during summer opportunities.

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Museum

Museum of Art spearheads remote programming

The Bowdoin College Museum of Art (BCMA) must abide by the College’s color-coded campus status levels. Currently, at “yellow” status, first-year writing seminar students and their accompanying faculty members can enter the BCMA for a class visit; at “orange” status, only faculty and staff may enter; at  “red” status, only essential staff members may enter the building.

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Performance Art

Visual and performing arts adapt for remote learning

This semester, without the ability to gather in the studio or rehearse on stage, faculty in the visual and performing arts have had to come up with creative approaches to remote instruction and artistic community-building. Despite these challenges, students have begun the semester with great enthusiasm, filling introductory courses and, in some cases, becoming part of long waitlists.

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Financial Aid

Questions linger about future of depleted Kaempfer Fund

Like many visual art students, Maddie Squibb ’20 went into the semester choosing between a couple of courses. “Printmaking II or an advanced painting independent study?” she wondered. “And then I got the email about the Kaempfer Fund running out and it made me think, ‘Oh, I guess I won’t pursue an independent study,’” said Squibb, who is a visual arts minor.

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Museum

Speakers highlight the historical significance of modernism exhibit

Over a century after its emergence, modern art is more relevant than ever. The movement often thought of in a strictly historical context is apparently less removed from our contemporary world than it appears. In a presentation entitled “The Transnational Framework of Modernism’s Many Emergences, 1900-1950,” author and collector Laurette McCarthy and former Executive Editor of MIT Press Roger Conover ’72 discussed the history and impact of the exhibition, which was curated by the museum’s co-director, Anne Goodyear.

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Museum

Arctic and Art museums receive over $230,000 to expand online access to archived collections

The Bowdoin College Museum of Art and the Peary-MacMillan Arctic Museum were awarded a $239,344 federal grant from The Institute of Museum and Library Services (IMLS) last week. The IMLS award description says the museums will use the funds to “improve both physical and digital access to the collections of its two museums.” The College matched the federal fund with an additional $249,000 to support the project.

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Visual Arts

Challenging confines of the frame with Sascha Braunig

Coiling forms, spatial fantasies and abstracted bodies—boundaries between the real and the imagined become indistinguishable in the vibrant canvases and eerie motifs of Sascha Braunig’s work. Originally from Canada, the Portland-based artist came to Edwards Center for Art and Dance on Tuesday afternoon, decoding her pictorial puzzles through a glimpse into her creative evolution.

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Visual Arts

Frank Mauceri: playing with perspectives in art

Black and white lines converge and juxtapose to form patterns—chaotic, dynamic and full of movement; the artwork of Frank Mauceri, senior lecturer in music, presents a touch of novelty and surprise. Viewers would never guess that behind the complex mark-making of Mauceri’s artwork lie algorithms generated by careful computer programming.

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Visual Arts

‘The Spaceship’ settles in Portland

Inside a well-lit warehouse somewhere between Portland’s East and West ends, five friends create. They make gestures on canvas, develop film, produce sound and cut video content. Sometimes they lie on the couch and scroll through Instagram, at others they gather around to critique one another’s art, like they did in college.

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Visual Arts

Artist Tatana Kellner urges political engagement through art

“What happened last October?” Tatana Kellner asked students gathered at the popup show for her printmaking installation “Please Exit, Doors are Closing” on Tuesday in the Edwards Center for Art and Dance. Answer: the 2016 presidential debates, a time during which Kellner was working and reflecting on questions surrounding immigration policy in America.

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OUTtober

Jonathan Katz identifies Warhol’s pop art as queer art

In his lecture on Wednesday, Jonathan Katz argued that pop art is an inherently queer form of self-expression, an idea originally censored in a now fully-published interview with Andy Warhol. Katz—founder of the Harvey Milk Institute and director of the visual culture studies doctoral program at the State University of New York at Buffalo—presented his interpretation of Andy Warhol’s pop artwork through a unique lens of queer studies and censorship in his lecture, “The Unknown Queer Warhol.” Flowing from an analysis of a resurrected version of this formerly censored interview with Warhol, Katz argued that Warhol’s pop imagery provided no less commentary on modern homosexuality than his blatantly queer early works.

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Visual Arts

Bollinger animates with paint

For painter and animator Matt Bollinger, art is all about self-expression. Even the pieces that seem outside the realm of possibility are in some way reflective of his experiences. This is especially true of “Apartment 6F,” the animation Bollinger showed at his talk on campus last Monday, which portrays an alternate reality; a neighbor invites the artist to a housewarming party where he is drugged for use as a sacrifice in a satanic ritual.

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Visual Arts

Senior studio exhibition highlights non-traditional mediums

Senior visual arts majors presented their final exhibitions on Monday evening in an eclectic display of video monitors, sound art, photography and large oil portraits on canvas. In the culmination of their Senior Studio class, many students utilized both traditional and non-traditional mediums to reflect on their personal experiences at Bowdoin and at home.

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