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Elizabeth Flanagan

Orient Staff

Number of articles: 12

First Article: September 20, 2019

Latest Article: September 18, 2020

Museum

Museum of Art spearheads remote programming

The Bowdoin College Museum of Art (BCMA) must abide by the College’s color-coded campus status levels. Currently, at “yellow” status, first-year writing seminar students and their accompanying faculty members can enter the BCMA for a class visit; at “orange” status, only faculty and staff may enter; at  “red” status, only essential staff members may enter the building.

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College announces changes to time block schedule and teaching as transition to remote learning continues

Since the College announced that nearly all courses will be online for the Fall 2020 semester, faculty and students have been approaching academics at Bowdoin in new ways. As students anticipate browsing course offerings, which will be released on Classfinder today, professors have been preparing for the fall by rethinking course material and modes of teaching.

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Over 75 women involved in fourth annual production of RISE

This weekend, over 75 students will take the stage to present the fourth annual production of RISE: Untold Stories of Bowdoin Women. With 49 stories, 31 of which are new, the performance will feature a wide range of emotions as the production’s organizers work to highlight joy as well as women’s stories of difficulty and violence.

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Live Music

Frontier’s Songwriters on Stage showcases local musicians

On Tuesday night, local musicians and music lovers gathered at Frontier to hear a medley of songs and vocals in the cozy theatre tucked into the old mill at the end of Maine Street. Michael Gilroy opened Frontier in Fort Andross in 2006, with a mission to “connect the world through food, arts and culture.” The business strives to do this through its restaurant, coffee bar, event spaces and theater, used for a variety of community gatherings.

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Dance

Ibarguen displays Peruvian cultures through dance

Literature, Peruvian art and dance: an unlikely combination unlike most artists typically hosted at Bowdoin. On Tuesday night, Vannia Ibarguen brought these disciplines together in her performance “Retablo Peruano” in Kresge Auditorium. “Retablo Peruano” translates roughly to “Peruvian altarpiece.” A retablo is a sculptural work created by indigenous Peruvian artists, depicting scenes of daily life or exceptional historical events.

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