Although the student band Gingersnap is relatively new to the Bowdoin music scene, it is already leaving its mark on campus. Last week, the group won first place for its performance at Battle of the Bands—only its second performance together—and earned the spot as the opening act for D.R.A.M.
Beginning this week, the Department of Theater and Dance will present a selection of senior studio projects in Memorial Hall’s Wish Theater and in other spaces across campus. Featuring original works, improvisation and new arrangements, the series will highlight the talents of each student in the culmination of their theatrical careers at Bowdoin.
Ah, yes. It is finally spring, when flowers begin to rise from the frozen earth and the temperature reaches a mildly comfortable 55 degrees at least once a week. But even more exciting than the return of life to the region is the arrival of Ivies weekend, when solo cups litter the quad and the music world’s best grace the stage of Farley Field House.
World-renowned poet Ross Gay is delighted by public restrooms and bobbleheads. The plastic figures remind him of roughhousing with his brother and a stern scolding from his grandmother, while public restrooms are an overlooked necessity that he calls “a deprivation of a deprivation.” While to some these may seem like strange delights, Gay is inclined to focus on details that are often forgotten in the fast pace of life in order to embody themes of community, family and gratitude.
Welcome to the third week of On PolarFlix, a column meant to do exactly what it sounds like: review films on Bowdoin Student Government (BSG)’s movie streaming service, PolarFlix. This week, in keeping with the news, we are looking back at David Fincher’s “The Social Network” (2010).
There are activists, there are storytellers and there’s Amal Kassir. Unapologetic in her poignant dissections of humanity, the Denver-born, Syrian-American spoken-word poet calls herself an “empathist.” Her Thursday night performance in Kresge Auditorium, sponsored by the Muslim Students Association, presented personal recounts on war, race and religion.
Every piece on display in a new exhibit by Amani Hite ’20, opening this Friday, fulfills the promise of the show’s title: “…And She’s a Black Woman.” “[The] ellipsis in the beginning [represents] that there is something else before that,” said Hite.
Award-winning comic Jenny Yang was an organizer for over 85,000 labor union members when she decided to try her hand at professional joke-making. The Los Angeles-based comedian had made a career out of political activism when she took a risk and devoted herself to what she had always been good at: making people laugh.
Welcome to the second week of On PolarFlix, a column meant to do exactly what it sounds like—review films on Bowdoin Student Government (BSG)’s movie streaming service, PolarFlix. This week, we are going with Oscar contender “I, Tonya,” a biopic about the American ice skater Tonya Harding.
Michael Paterniti’s work combines storytelling in its multiplicity of forms, blurring the lines between creative writing, journalism and creative nonfiction. On Wednesday evening Paterniti visited campus to speak about his writing experience and to read from his recent collection of longform essays, “Love and Other Ways of Dying.” Paterniti doesn’t see his work as strictly falling into any one category.