Laurent Cantet’s 2001 prize-winning film, “Time Out,” opens with a shot of Vincent—the film’s protagonist—asleep in a car. The audience quickly learns that Vincent, portrayed by Aurélien Recoing, has lost his job and is lying to his family about having found a new one in Geneva.
When visitors walk into the exhibition “Heavy Water” in the Telfair Museum in Savannah, Georgia, they are absorbed in a lush soundscape, accompanied by screens depicting wild dogs weaving through the woods. The question that follows is: what am I looking at?
The story of a community of people raising fish in small, pristine glass tanks in dystopian America might seem far removed from reality. Chang-rae Lee revealed the story’s real-life origins as part of the Alpha Delta Phi Society visiting writer series, in a Tuesday night reading of his most recent book “On Such a Full Sea.” Lee is an English professor at Stanford University and has published numerous short stories and novels, including “Native Speaker,” “A Gesture Life,” “Aloft,” “The Surrendered” and “On Such a Full Sea,” which was published in 2014.
Coiling forms, spatial fantasies and abstracted bodies—boundaries between the real and the imagined become indistinguishable in the vibrant canvases and eerie motifs of Sascha Braunig’s work. Originally from Canada, the Portland-based artist came to Edwards Center for Art and Dance on Tuesday afternoon, decoding her pictorial puzzles through a glimpse into her creative evolution.
Jaden Dixon ’21 is an artist and producer from Davenport, FL. He recently released his first EP, “Moving Forward,” as well as his first music video for the track, “Wait Up.” Jaden’s music is featured on all major streaming platforms. The following interview has been edited for length and clarity.
The hustle and bustle of New York City comes alive on stage to the familiar sound of a subway announcement. Complete with towering skyscrapers, dreamers and cynics, hurrying high-heels along congested sidewalk, the city was reimagined on stage at Pickard Theater last weekend in Masque and Gown’s fall production, “Heart of the City,” written by Eric Lane.
Black and white lines converge and juxtapose to form patterns—chaotic, dynamic and full of movement; the artwork of Frank Mauceri, senior lecturer in music, presents a touch of novelty and surprise. Viewers would never guess that behind the complex mark-making of Mauceri’s artwork lie algorithms generated by careful computer programming.
Sitting in 24 College Street, the atmosphere is electric. Alana Morrison ’20, a model-turned-singer, taps the microphone, and it echoes throughout the room. Other members of Alana’s team test background beats from the computer set up in front of rows of empty chairs.
The clock ticked slowly past seven p.m.—when the event was scheduled to start. Amidst struggles to get the microphone functioning for the evening, Bernhard Schlink was prepared to go on. He called for the crowd to gather forth.
Members of the Bowdoin Art Society have studied masterpieces of art in the context of the classroom, and now that cultivated lens is turned towards work of a slightly different nature, as student curators transform Ladd House with art created by their peers.