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Sebastian de Lasa

Orient Staff — Class of 2022

Number of articles: 14

First Article: September 28, 2018

Latest Article: September 20, 2019

The Aux Cord

‘Titanic Rising’ is a masterpiece of mood and space

“Titanic Rising” by Weyes Blood should not have surprised me. Weyes Blood is a well established musician within the indie scene, and “Titanic Rising” is her fourth album. Artists in 2019 seem to come out of thin air, having been lurking in some corner of Soundcloud or Bandcamp, waiting for their big break into the general consciousness of those who have r/indieheads or Pitchfork as favorites on their internet browser.

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The Aux Cord

2019 release radar: the good, the bad and the average

Chris Ritter ’21 picks:  Zacari – “Don’t Trip” You might not know Zacari’s name, but you’ve definitely heard his voice. It probably caught you on Kendrick Lamar’s “LOVE,” where it soars in a falsetto riff adapted from his own song, “Lovely.” Or maybe you heard him on “Redemption,” a dancey afrobeat highlight from the star-studded “Black Panther” album.

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The Aux Cord

On Brockhampton’s ‘Iridescence’

My 17th birthday was on a Friday. I woke up to some lovely cards from my family, happy birthday messages from friends and a couple posts on Facebook. I went to school. Around early afternoon, an hour or so before classes let out, I received a text from a friend of mine: “Dude listen to this shit now, it’s insane.” I went into the bathroom, turned my earbuds up, and listened to “HEAT” by Brockhampton (which I soon discovered had no relationship to the Hamptons), off of an album called SATURATION.

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