Callye Bolster ’19 spent her summer following four young recent college graduates as they travel in a van across the country—from Maine to Los Angeles—through the vehicle of her imagination. In her eight-episode animated series, “Vanity,” Bolster brings to life four protagonists who are traveling to a Hollywood audition, engaging with themes of fame, politics and gender.
Michael Paterniti’s work combines storytelling in its multiplicity of forms, blurring the lines between creative writing, journalism and creative nonfiction. On Wednesday evening Paterniti visited campus to speak about his writing experience and to read from his recent collection of longform essays, “Love and Other Ways of Dying.” Paterniti doesn’t see his work as strictly falling into any one category.
This coming fall, Bowdoin will add Alexandria Marzano-Lesnevich to its roster of creative writing professors. Marzano-Lesnevich will be the first tenure track creative nonfiction professor in the English department. A former lawyer and the author of “The Fact of a Body: A Murder and a Memoir,” she brings an interdisciplinary approach to creative writing.
Eight years ago, Jennifer Egan found herself at a reunion for deep-sea diving army veterans, trying on a 200-pound Mark V diving suit. Research, the Pulitzer-prize winning author told a packed crowd in Kresge Auditorium last night, for her latest and fifth novel, “Manhattan Beach.” Before signing books, Egan read the first chapter of the novel and answered questions about her research and writing process.
Kodie Garza: What is the most meaningful piece you’ve written and why? Carly Berlin: Oh, that’s hard. I think the piece that I wrote this past summer was meaningful in a lot of ways. This summer I was mostly only working on this story about Clarkson, GA, which is a resettlement area for refugees for the past three decades.