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Editor’s Note November 18, 2022 at 9:30 a.m.: An earlier version of this article was missing parts of the first paragraph. This has been corrected and is not a problem in the print edition. Author Homeira Qaderi didn’t think she could make it to the Kabul airport in time until she received a call on the final day of U.S.
[This article contains spoilers for the movie Dune] The sci-fi genre is teeming with worlds of the future marked by technological advancement beyond our wildest dreams. We see how such technology and scientific knowledge influence society’s view of the world and how they affects the ways in which characters interact with each other.
On Halloween Monday, leaflets containing two “spooky stories” cropped up in campus spaces. The Foundationalist, a Bowdoin-founded intercollegiate literary journal, selected and distributed these zines as part of their first annual “Spooky Flash Fiction Contest.” “We imagined it [as a] fun [opportunity], to write a story anonymously and then hear someone talking about that thing that you wrote on the other side of the Thorne Dining Hall table,” Foundationalist editorial board member Jack Wellschlagler ’23 said.
Students gathered in the Shannon Room on Wednesday afternoon to hear from Magali Armillas-Tiseyra on author Gabriel Garcia Marquez’s modern literary influence. Armillas-Tiseyra is an Associate Professor of Comparative Literature at Pennsylvania State University and the author of “The Dictator Novel: Writers and Politics in the Global South.” In her speech, “The Legacies of the Latin American ‘Boom,’” Armillas-Tiseyra discussed the legacy of Garcia Marquez’s 1967 “One Hundred Years of Solitude,” which students in a Hispanic Studies seminar on Garcia Marquez are reading now.
For Visiting Assistant Professor of English Zahir Janmohamed, good literature serves as a vessel for ambiguity. Janmohamed aims for his students to explore the texture, contradictions and uncertainties of their lives through text. “I’m not really interested in certainties, and I’m also not interested in cleverness,” Janmohamed said.
Set against the backdrop of a Depression-era mill town in Georgia, Carson McCullers’ “The Heart is a Lonely Hunter” sees four characters, all alone, trapped in the jumbled series of wants, resentments, plots, worlds of their own making.
