Brunswick is home to many cafes, coffee shops, stores and a variety of well-liked restaurants. As for upscale dining, selection has been slim—until now. Odd Duck, which opened January 1, prides itself on filling this niche.
This year, the English department brought new and now internationally-award-winning talent to its faculty. Author and Assistant Professor of English Alex Marzano-Lesnevich recently won the prestigious France Inter-JDD foreign book prize for the French translation of their 2017 cross-genre book “The Fact of a Body: A Murder and a Memoir.” This award is given by a committee of prominent French journalists to one book internationally per year in any genre.
While the Bowdoin College Museum of Art (BCMA) is well-known for its extensive and unique collections, much of the space’s success and innovation is due to its employees. Anne and Frank Goodyear, co-directors of the BCMA since 2014, have played a significant role in facilitating the museum’s growth and creative aspirations.
$1,500 is the minimum bond required to help reunite one family separated at the U.S.-Mexico border and was the original goal of Dave and Charlotte Willner’s ’06 Facebook fundraiser. It’s also the amount they received within 22 minutes after starting the fundraiser in June.
Computational creativity can seem—at first—like an oxymoron. Computer science is often associated with dark rooms and daunting technology while creativity connotes vivid color, energy and novelty. In the case of Assistant Professor of Computer Science Sarah Harmon’s new Computational Creativity course, however, this dichotomy could not be further from the truth.
Director of Religious and Spiritual Life at Bowdoin Eduardo Pazos Palma believes the study of religious traditions can help with understanding many issues that grip the increasingly globalized world. Pazos Palma wants to initiate this conversation with a new Multifaith Program at Bowdoin.
The lights go down, and the whole room is black. Walls, floor, ceiling—everything black. A figure, dressed (you guessed it) in black, emerges from the right, singing in Afrikaans. After nearly 90 minutes of intense interaction and emotional performance, the theater will return to this: everything black.
You’d never guess it from looking at him now—sitting comfortably, a smile spreading across his face as he describes his orchestra, voice bouncing and echoing across the recital hall—but George Lopez, Beckwith artist-in-residence and director of the Bowdoin orchestra, never wanted to be a musician.