Computational creativity can seem—at first—like an oxymoron. Computer science is often associated with dark rooms and daunting technology while creativity connotes vivid color, energy and novelty. In the case of Assistant Professor of Computer Science Sarah Harmon’s new Computational Creativity course, however, this dichotomy could not be further from the truth.
Director of Religious and Spiritual Life at Bowdoin Eduardo Pazos Palma believes the study of religious traditions can help with understanding many issues that grip the increasingly globalized world. Pazos Palma wants to initiate this conversation with a new Multifaith Program at Bowdoin.
The lights go down, and the whole room is black. Walls, floor, ceiling—everything black. A figure, dressed (you guessed it) in black, emerges from the right, singing in Afrikaans. After nearly 90 minutes of intense interaction and emotional performance, the theater will return to this: everything black.
You’d never guess it from looking at him now—sitting comfortably, a smile spreading across his face as he describes his orchestra, voice bouncing and echoing across the recital hall—but George Lopez, Beckwith artist-in-residence and director of the Bowdoin orchestra, never wanted to be a musician.