When I was 16, I started starving myself. Troubled with weight issues—real and imagined—my whole life, I took advantage of a stomach bug I caught while traveling. I began a trend of underfeeding myself, going hungry for hours every day, then working out for upwards of 60 minutes, six to seven days a week.
A few nights ago, overcome with stress about school, family and personal relationships, I sat on the steps of the Museum of Art late at night. It was one of those perfectly cold evenings, when the wind whips your face and bites at your hands.
I felt the least American in the spring of my senior year of high school. It was early 2016 and we talked about Trump at least once in every class I had. My school was very divided.
This past February, during my sophomore spring semester, I decided I wasn’t going to study abroad. Ever since arriving at Bowdoin, studying away for a semester had been on my mind. I’d cycled through a lot of possibilities: minor or major in Spanish and go to Spain or South America, take a semester of Italian and go to Italy, take a biology class and go to Tanzania, take a semester of Greek and do the College Year in Athens.
Lorenzo Meigs ’21 has lived in the same city for practically all of his life. I’ve always been fascinated by my peers’ relationships to place, especially by those who seem to embody their homes. Meigs is one of those people.
Almost one year ago, I wrote a Talk of the Quad titled “Dirigo” about the constant movement during my childhood and the freedom I felt when I put roots down in Maine. I’ll say now, it was naive of me to think that after years of movement, I thought I would suddenly and poetically find my home.
As many Americans reassess the cultural codes surrounding sexual assault, students and faculty turned back in time yesterday evening to reflect on the glamorization of sexual violence in foundational European art within its historical context. Organized by Andrew W.
Seeking to highlight the role of protest in the 21st century, seniors Eliza Goodpasture and Jenny Ibsen unveiled an art show entitled “PROTEST” in the Lamarche Gallery of David Saul Smith Union on Wednesday night. The exhibit features physical and digital forms of protest collected from members of the Bowdoin community.
Editor’s note: At their request, the names of some individuals interviewed in this piece have been abbreviated to protect their identity. The walls of the blue box gallery in David Saul Smith Union currently display a memorial to the 326 people killed by acts of anti-trans hatred in the preceding 365 days worldwide.
I am quite fond of my life in Brunswick, but the weeks between fall break and Thanksgiving break are enough to drive anybody bananas and, coupled with the overloaded semester I had created for myself, I was ready to leave—or so I thought.
Student-led performance and music groups from across campus will come together on Saturday night for a relief concert, organized by Karen Chan ’18 and Grace Punzalan ’18, to raise awareness and funds for the recovery from the natural disasters of this fall, including more recent disasters, such as the wildfires in California.
In September, Hurricanes Harvey, Irma and Maria struck Puerto Rico, the U.S. Virgin Islands and other Caribbean islands, as well as southern U.S. states, such as Texas and Florida. In the same month, Mexico was hit with three earthquakes, including the strongest one the country has experienced in over a century.
Jude Marx ’18 is an English and education coordinate major who has worked at Bowdoin and beyond to carry out creative projects, mainly through portraiture and creative writing. Her work focuses on the themes of memory and queer identities, as well as other intersecting marginalized identities.