During her senior year at Bowdoin, Amie Sillah ’20 created Black Lady Art Group: an art class and artist collective where she, Amani Hite ’20 and Destiny Kearney ’21 could focus entirely on creating a safe space for producing and exploring artistic practices as Black women.
Bowdoin College Alumni Magazine text reads: “This picture of the Senior Center was taken the day after the construction fire on January 20 which damaged the wooden forms at the upper levels of the Center. Students at the Delta Kappa Epsilon House discovered the fire at about 6:30 p.m., and it had pretty well burned itself out by 9 o’clock.
“Pasado y Presente: Twentieth-Century Photographs of a Changing Mexico” is the first Latin America-focused exhibition featured at the Bowdoin College Museum of Art (BCMA) in the past 15 years. The collection of photographs, curated by Associate Professor of Romance Languages and Literatures Carolyn Wolfenzon Niego’s intermediate Spanish class, opened on January 7 and will be on display through March.
A living testament to the rise of a city and its natural remnants, the Los Angeles River was a one-of-a-kind subject for professor of art Michael Kolster. In his new book “L.A. River,” Kolster captures the river through a 19th century lens, questioning conventional notions of time and technical progress.
Niles Singer ’21 is a visual arts and francophone studies double major from Reading, Massachusetts. He is the Head of Photography for Avant-Garb Magazine and serves as a darkroom teaching assistant for photography courses. The following interview has been edited for length and clarity.
Ben Painter ’19 and Meghan Parsons ’19 collaborated on a photography project titled “Love Theories.” Recipients of the Richard P. Martel Jr. Memorial Prize from the Visual Arts department, their work has been previously featured in the Annual Maine Photography Show as well as a pop-up show at Frontier Cafe and Cinema.
Last Saturday, CLIO Award winning producer and director of photography Matt Siegel, along with a few other cinematographers, led an introductory workshop in digital film production for Bowdoin students. Because Bowdoin’s Cinema Studies program focuses heavily on history and theory, the workshop aimed to fill a gap in students’ education about the technical aspects of filmmaking.
Jude Marx ’18 is an English and education coordinate major who has worked at Bowdoin and beyond to carry out creative projects, mainly through portraiture and creative writing. Her work focuses on the themes of memory and queer identities, as well as other intersecting marginalized identities.