In 2006, the midst of the 2000s mainstream pop-punk acts, The Friday Night Boys formed with Bowdoin junior Robert Reider ’07 as its bassist. Fourteen years later—after two albums, three EPs and multiple tours with names such as Boys Like Girls, All Time Low, We The Kings and Cute is What We Aim For—Reider is back at Bowdoin as the assistant director of annual giving at the College.
On Thursday evening, the College launched the public phase of the largest comprehensive fundraising campaign in Bowdoin’s history. The College hopes to raise $500 million by June 2024 and achieve 85 percent participation from its alumni network.
The College received $34.9 million in donations during the 2018-2019 year, a $700,000 decrease from the $35.6 million received in 2017-2018, according to the Annual Giving Report. The report, prepared by the Office of Development and Alumni Relations, also shows alumni and friends, faculty and staff gave less this year than last.
There is a long history of Bowdoin alumni going into politics at all levels, from state and local seats to the Presidency. Two recent Bowdoin alumni may soon join the growing list of Bowdoin graduates in political office.
Rather than depicting sweeping hillscapes in ornate frames, Mariah Reading ’16 uses trash as her canvas in the pop-up exhibit “Landscapes, Not Landfills,” which opened on Wednesday in the Edwards Center for Art and Dance. Reading’s art contributes to a growing genre of “eco art” that promotes sustainable art practices and nature preservation.
The Bowdoin College Museum of Art (BCMA) welcomed distinguished alumni back to campus for a discussion on Wednesday in conjunction with its exhibit, “Art Purposes: Object Lessons for the Liberal Arts.” The three alumni, all prominent figures in the field of art, shared how their time at Bowdoin shaped their careers and set them on a path of artistic discovery.
James “Jes” Staley ’79 P ’11, a member of the Board of Trustees and the CEO of Barclays, visited sex offender and disgraced financier Jeffrey Epstein at his private island in 2015, and during his incarceration in Palm Beach, Florida in 2008, according to Bloomberg.
The beginning of this school year will mark a transition for religious life at Bowdoin. In July, Macauley Lord ’77 finalized a $1 million donation to the Center for Religious and Spiritual Life, renaming it to honor his late mother, Rachel Lord.
Some call it the case of the century, but Philip Gregory ’76 disagrees. He believes that Juliana v. United States, a climate change lawsuit seeking action on behalf of children and future generations, is the case for the future of this century.
Over the summer, the Career Planning Center (CPC) found itself in a new space with new leadership. Since beginning her position in July, the new Director of Career Planning Kristin Brennan has set new targets and reestablished old goals in an effort to make the CPC accessible to more students, alumni and parents.
Olivia Atwood ’17 and Maggie Seymour ’16 learned plenty at Bowdoin, but they never nailed down the details of what happened during the Watergate scandal. That absence of knowledge is exactly the premise of the alums’ original musical, “Dickie in the House,” which premieres at the Peoples Improv Theater (PIT) in New York on Thursday.
Rather than continuing to work in biology laboratories post-graduation, Ian Trask ’05 opted to pick up trash. After winding his way through various jobs, he ended up as a groundskeeper at a hospital in Massachusetts, cleaning parking lots and he ultimately deciding to use trash as a medium for art.