The Grammys were awkward. There is no better word for it. And if they are any indication of how 2014 will play out, I think we can safely say that 2014 will be the year of “sorry not sorry.” 
Take Macklemore—his post-win text to Kendrick Lamar epitomizes Seattle douche-braggery. “You got robbed,” Macklemore wrote. “I wanted you to win. You should have. It’s weird and sucks that I robbed you.” 

This apology, which Macklemore texted to Kendrick and then posted on Instagram, was so glaringly awkward that the New York Times ran an article titled “Finding a Place in the Hip-Hop Ecosystem,” where critic Jon Caramanica devoted a whole think piece to exploring why Macklemore felt the need to apologize, as well as the difficulties he experienced as a millennial, white rapper.

It’s as if everyone’s forgotten Eminem. How could they? His anger and art (Mockingbird!) got me through many a middle school dance. 

Regardless, Caramanica breezed over Eminem’s glory, and instead examined Macklemore’s place in the musical realm (or ecosystem, cringe) of rap—a realm usually populated by Jay-Z, Kanye and Kendrick Lamar. And Eminem.

“As a private act,” Caramanica wrote, Macklemore’s apology was “a love letter, a way for an artist to honor a peer. As a public act…it was a cleansing and an admission of guilt.” Macklemore’s album, ironically titled “The Heist,” carved out a distinct niche in the rap charts. It is whiter. It is hip-hoppier. It is not Kanye or Jay-Z.

And so post Grammys, the Internet was in a tizzy. Why did Macklemore win? Why, afterwards, did he apologize for winning? Why did he apologize publically? Did his apology mean something? Should it even matter? Probably not. 

Luckily, other awkward moments spurred questions, too. For instance, why did Madonna wear a hideous pantsuit that likened her to Charlie Chaplin? What was the deal with all those weddings? Why was Madonna on stage with Macklemore, Ryan Lewis and Mary Lambert? Why was Yoko Ono throwing up peace signs? She’s not dead yet? Or at least retired? Perhaps most important: Why was Taylor Swift dancing so terribly? Was she really so sure she had won Album of the Year that she started to stand up before learning Daft Punk had beat her out? 

Probably. Swift, who has been called out repeatedly for being too shocked or excited when winning awards, was again too shocked and excited. Except this time, she hadn’t won. It was another awkward moment. Still, no Grammy weirdness will top the that time Kanye ran up on stage and claimed Taylor’s award for Beyonce at the MTV Video Music Awards. Whatever. Bey is the queen; I get why Kanye did it. 

I think my favorite 2014 Grammys moment occurred in the pre-awards show when Jamie Foxx appeared on the red carpet with his daughter in tow. He then proceeded to introduce said daughter as “his seed.” It was incredible, and it was also highly uncomfortable. 

Each of these moments—while distinct and highly important in terms of race, gender, parenting, rap, country, America and equality—calls to mind sorry not sorry. And although sorry not sorry started in 2013, it takes a while for these things to catch on. If the Grammys are any prediction of how 2014 will play out (they totally are), I think it’s fair to say that lots of people will do really awkward things this year, and then will shrug them off with a sorry not sorry. I look forward to it. Sorry not sorry.