Tina Satter ’96 got the news that she had received a Guggenheim Fellowship in Drama and Performance Art just as the entire landscape of her life’s work began shifting, maybe for good. “The big question, and the constant micro-question of every day [is]: ‘How does theater exist on the other side of [the COVID-19 pandemic]?’ That I don’t even know how to answer, but you go back to the work,” Satter said in a phone call with the Orient.
A hand reached up to ring one of the bells strung from the ceiling of Gulf of Maine Books, quieting the electric murmur of the gathered town. “Alright, folks, keep it down. We’ve got the fire department right on the corner, you know,” Gary Lawless, owner of Gulf of Maine Books, said to the crowd crammed amongst the bookshelves.
Maine loses nearly a person per day to opioids. But on campus, students are largely insulated from the crisis, which hits Maine’s aging populations and manual laborers especially hard. In Cumberland County, there were 74 overdoses during the first quarter of 2019, down from the previous quarter’s 86.
On Monday, Visiting Assistant Professor of History Idriss Jebari moderated “Late Springs: Arab Uprisings in 2019,” a panel that featured faculty members speaking on uprisings in Algeria, Iraq, Lebanon and Egypt. The event drew a crowd of students interested in the Middle East to Kanbar Hall to hear stories that, according to Jebari, are largely absent from or misrepresented by media coverage.
After a year or two of playing in student bands, Musicians Danny Little ’22 and Nick Cattaneo ’21 came into this year with a vision. They wanted to establish a new model that would allow musicians to rotate in and out of bands based on availability, while ensuring that a core group remains.
With pews so full that students spilled over onto the floor, the current members of Bowdoin’s a cappella groups performed their best, hoping to attract their futures. Supporters, friends and a cappella hopefuls packed into the Bowdoin Chapel last Friday night for the annual recruitment concert, where each of Bowdoin’s six groups performed two songs.
Celebrating the 125th anniversary of the Bowdoin College Museum of Art (BCMA), the contemporary exhibit “Art Purposes: Object Lessons for the Liberal Arts” is all about fresh perspectives and the unfinished business of creation. The exhibition displays notable works from the Museum’s permanent collection.
With no campaigns to canvas for and no debates to watch, conversations about politics at Bowdoin are continuing in smaller settings. In this civic spirit, the College Republicans will welcome former U.S. Representative Tom Allen ’67 this Saturday for an informal dinner conversation about political polarization and public service.
In the midst of frantic Bowdoin spring, a visitor to the Blue Gallery in David Saul Smith Union may be prompted to pause and reflect on the nature of relationships this week. “Focusing on Dating Violence,” currently on display in the gallery, is a photography exhibit created as the capstone project of the Office of Gender Violence Prevention and Education’s (OGVPE) Leadership Institute, a training program led by Lisa Peterson, associate director of Gender Violence Prevention and Education.
The Building of the Future, 100 years later: Bowdoin College Museum of Art celebrates lasting legacy of the Bauhaus
Bowdoin students need look no further than Coles Tower or the VAC fishbowl to see examples of Bauhaus architecture. This year, Bauhaus’ hundredth anniversary will bring this legacy to the fore on Bowdoin’s campus. Founded in 1919 in Weimar, Germany by architect Walter Gropius, the revolutionary modernist art school proclaimed its aim “to create a new building of the future that will unite every discipline … as a clear symbol of the new belief to come.” What followed was a movement that forever changed definitions of art, design and architecture, stretching across the world and across the century.
Once audiences are confronted with the human cost of the American Dream, economics and politics will never look the same. On Friday night at Pickard Theater, tales of American workers take center stage as the Department of Theater debuts the Maine premiere of the Pulitzer and Tony award-winning play “Sweat” by Lynn Nottage.
Enter the latest exhibition at Bowdoin College Museum of Art (BCMA), and it may not be what you expect. In ‘Material Resources: Intersections of Art and the Environment,’ notions of what environmental art ought to look like are challenged within moments of arrival.
A semester’s worth of work by Bowdoin dancers will come to life in Pickard Theater tonight. Six unique pieces will represent nearly every dance class from the department, as over 60 students grace the stage at the December Dance Concert.
Laden with what-ifs, Anton Chekhov’s “Three Sisters” comes to vivid, aching life in Wish Theater under the direction of Associate Professor of Theater Abigail Killeen. On a set fantastic in color and intricacy, the interwoven lives of three sisters and their loved ones unfold as time races by.
Members of the Bowdoin Art Society have studied masterpieces of art in the context of the classroom, and now that cultivated lens is turned towards work of a slightly different nature, as student curators transform Ladd House with art created by their peers.
Wish yourself into the eye of a hurricane. Search for your home in the sea of red pixels at the center of the storm. See the national news anchor stand where you and your friends took prom pictures; hear him say the coming night will smash it to pieces.
Paintings and artifacts are not the only treasures one can find in the Bowdoin College Museum of Art (BCMA). Behind the exhibition walls, a passionate team of scholars and creators embody the institution’s wealth of culture, resource and opportunity.
Ariana Smith ’21 and Flora Hamilton ’21, members of the Bowdoin jazz program, are creative partners in writing and performing original music on campus. Smith is a singer-songwriter, and Hamilton is a jazz pianist. The following interview has been edited for length and clarity.