Jeonguk Choi ’18 is a visual arts and computer science double major from South Korea, who primarily works with “time-based media.” His installation, “the gaps were filled with water that soon evaporated,” is currently on display in the Blue Gallery.
Blanche Froelich ’19 wanted a unique, year-long study abroad experience. She looked for two criteria when selecting where to travel: first, she wanted to study studio art; second, she wanted to live in a Spanish-speaking country.
Inside a well-lit warehouse somewhere between Portland’s East and West ends, five friends create. They make gestures on canvas, develop film, produce sound and cut video content. Sometimes they lie on the couch and scroll through Instagram, at others they gather around to critique one another’s art, like they did in college.
Bowdoin alumna Susan Coyne’s ’07 picture book “The ABCs of Subverting the Patriarchy” pays homage to a diverse range of provocative and inspiring people—among them, Joan of Arc and Ida B. Wells—who challenged deeply entrenched beliefs about gender, sexuality and race.
Currently on display in Larmarche Gallery is an exhibit both by and about six incarcerated men at the Maine Coastal Regional Reentry Center, a minimum security facility in Belfast. Curator Charlotte Borden ’19 wanted to bring the men’s voices directly into the exhibit by displaying their art and her portraits of them.
“What happened last October?” Tatana Kellner asked students gathered at the popup show for her printmaking installation “Please Exit, Doors are Closing” on Tuesday in the Edwards Center for Art and Dance. Answer: the 2016 presidential debates, a time during which Kellner was working and reflecting on questions surrounding immigration policy in America.
David Saul Smith Union’s Lamarche Gallery offers a unique space for student work curated exclusively by students. This Tuesday, the gallery opened an exhibition that gave students the opportunity to display their photography, painting, drawing and poetry from their Kent Island fellowships over the summer.
In his lecture on Wednesday, Jonathan Katz argued that pop art is an inherently queer form of self-expression, an idea originally censored in a now fully-published interview with Andy Warhol. Katz—founder of the Harvey Milk Institute and director of the visual culture studies doctoral program at the State University of New York at Buffalo—presented his interpretation of Andy Warhol’s pop artwork through a unique lens of queer studies and censorship in his lecture, “The Unknown Queer Warhol.” Flowing from an analysis of a resurrected version of this formerly censored interview with Warhol, Katz argued that Warhol’s pop imagery provided no less commentary on modern homosexuality than his blatantly queer early works.
Jude Marx ’18 is an English and education coordinate major who has worked at Bowdoin and beyond to carry out creative projects, mainly through portraiture and creative writing. Her work focuses on the themes of memory and queer identities, as well as other intersecting marginalized identities.
For painter and animator Matt Bollinger, art is all about self-expression. Even the pieces that seem outside the realm of possibility are in some way reflective of his experiences. This is especially true of “Apartment 6F,” the animation Bollinger showed at his talk on campus last Monday, which portrays an alternate reality; a neighbor invites the artist to a housewarming party where he is drugged for use as a sacrifice in a satanic ritual.