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Theater

Theater

Senior studio projects reimagine theater

Beginning this week, the Department of Theater and Dance will present a selection of senior studio projects in Memorial Hall’s Wish Theater and in other spaces across campus. Featuring original works, improvisation and new arrangements, the series will highlight the talents of each student in the culmination of their theatrical careers at Bowdoin.

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Theater

‘Love and Information’ is a play for the modern age

Watching “Love and Information” feels a lot like scrolling through your Twitter feed—which you might be, if you happen to sit in the “Tweet Seat” section. Based on the award-winning play by Caryl Churchill, the interactive play tackled what it means to be alive right now—to be constantly inundated by digital media.

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Theater

Green Day meets modern day in ‘American Idiot’

This weekend in Wish Theater, Masque and Gown will present ‘‘American Idiot,” a rock opera brimming with youthful angst and frustration. Based on the Green Day concept album of the same name, the show includes several of the band’s most beloved songs—including the title track “American Idiot,” as well as “Boulevard of Broken Dreams” and “21 Guns”—and weaves them into a story in which three central characters confront relationships, drug use and their own social and political disillusionment in a bleak, post-September 11 American landscape.

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Theater

‘The Poets and the Assassin’ spotlights Iranian women

Despite their centuries-long battle for human rights, the stories of Iranian and Muslim women have traditionally been overlooked in American society. Thursday night’s performance of the play “The Poets and the Assassin—Daughters of Iran” in Kresge Auditorium attempted to portray their stories and address the myth of the submissive, passive Middle Eastern woman.

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Theater

‘The Threepenny Opera’ is a beggar’s play, modernized

This weekend, the Pickard Theater stage will be filled with gangsters, prostitutes and the unusual sounds of Kurt Weill’s music in Bertolt Brecht’s “The Threepenny Opera.” From the plot to casting to music, this rendition of Brecht’s most well-known opera challenges perceptions of gender and class, particularly when viewed in a modern context.

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