Inside a well-lit warehouse somewhere between Portland’s East and West ends, five friends create. They make gestures on canvas, develop film, produce sound and cut video content. Sometimes they lie on the couch and scroll through Instagram, at others they gather around to critique one another’s art, like they did in college.
This weekend in Wish Theater, Masque and Gown will present ‘‘American Idiot,” a rock opera brimming with youthful angst and frustration. Based on the Green Day concept album of the same name, the show includes several of the band’s most beloved songs—including the title track “American Idiot,” as well as “Boulevard of Broken Dreams” and “21 Guns”—and weaves them into a story in which three central characters confront relationships, drug use and their own social and political disillusionment in a bleak, post-September 11 American landscape.
Despite their centuries-long battle for human rights, the stories of Iranian and Muslim women have traditionally been overlooked in American society. Thursday night’s performance of the play “The Poets and the Assassin—Daughters of Iran” in Kresge Auditorium attempted to portray their stories and address the myth of the submissive, passive Middle Eastern woman.
Associate Professor of Theater Abigail Killeen’s reimagining of the culinary splendor in “Babette’s Feast” was no easy task. A new adaptation of the story directed by Karin Coonrod, currently running at Portland Stage, focuses on a universal message of self-sacrifice and service.
In an industry where artists are usually discovered on a streaming platform rather than onstage, building a live show or even having stage presence seems no longer necessary to “make it.” But for this series showcasing artists with upcoming concerts in the Portland area, we are lucky to have Hippo Campus, a Minnesota indie band that rose to fame mainly due to a knack for electrifying live performances.
New York City-based Ashley Gavin has a range of talents: she’s primarily a comedian, but is also a writer and an actor, delving into topics like feminism and homophobia. She tours at colleges, hosts open mic nights, acts in the web series “Gay Girl Straight Girl (GGSG)” and has starred in television shows and movies.
As many Americans reassess the cultural codes surrounding sexual assault, students and faculty turned back in time yesterday evening to reflect on the glamorization of sexual violence in foundational European art within its historical context. Organized by Andrew W.
Bowdoin alumna Susan Coyne’s ’07 picture book “The ABCs of Subverting the Patriarchy” pays homage to a diverse range of provocative and inspiring people—among them, Joan of Arc and Ida B. Wells—who challenged deeply entrenched beliefs about gender, sexuality and race.
This month, poet and co-owner of Gulf of Maine Books Gary Lawless will once again don his Henry Wadsworth Longfellow costume and roam the town reciting poetry to passersby. This tradition is just one aspect of Longfellow Days, a series of events now in its 14th year, which spans Longfellow’s birth month and involves members of both the Brunswick and Bowdoin communities.
Seeking to highlight the role of protest in the 21st century, seniors Eliza Goodpasture and Jenny Ibsen unveiled an art show entitled “PROTEST” in the Lamarche Gallery of David Saul Smith Union on Wednesday night. The exhibit features physical and digital forms of protest collected from members of the Bowdoin community.