One of Bowdoin’s student-run theater troupes, Curtain Callers, will subvert sexist and racist themes in a minimalistic, modified rendition of the 1966 play “The Apple Tree” by the writers of “Fiddler on the Roof.” The musical, which will open this evening and run all weekend, is divided into three overarching stories of man, woman and temptation, and will feature only seven cast members in an unconventional theater: Drake lobby in Memorial Hall.
I cut my teeth as a musician playing guitar in the worship band at a Southern Baptist church in Indianapolis. My guitar teacher, the wise and venerable Ms. Tracy, was the worship pastor at her church, and when she thought I was ready she invited me to join her in her church band.
Two local poets and friends, Christian Barter and Jeffrey Thomson, will be coming to campus to do a reading as part of a three-event book launch for both of their new books, “Bye-Bye Land” and “The Belfast Notebooks,” respectively.
Office Hours, Bowdoin’s longform improvisation group founded by James Jelin ’16, has been selected for a second time to perform at the Del Close Marathon, a festival hosted by Upright Citizens Brigade Theater (UCB) that brings 72 hours of uninterrupted, nonstop improv to New York City for one weekend in June.
When former Robert K. Beckwith Professor of Music Emeritus Elliott Schwartz hired Director of the Concert Band John Morneau in 1988, he commenced 30 years of friendship and contemporary composition with the Bowdoin College Concert Band.
We come to Bowdoin to learn: about physics or Latin American studies; about what we want to be when we grow up; about the kinds of people we want to be friends with and the kinds of people we want to be.
With poems ranging from “Ode to My Resting Bitch Face” to “Manic Pixie Dream Girl,” feminist spoken word poet Olivia Gatwood will confront topics of sexual assault, rape culture and gender inequity tomorrow evening in a performance in culmination of the Alliance of Sexual Assault Prevention’s (ASAP) annual Date Week programming.
This past Tuesday, Howell House hosted Maine Inside Out, a nonprofit group founded in 2007 with the goal of empowering currently and previously incarcerated youth through theater. The members performed compelling acts on topics like police brutality, racism, xenophobia and the school-to-prison pipeline. Phrases like “When schools neglect, the streets accept,” rang throughout the performance, giving the audience a personal perspective from the inside out.
When the College phased out the Greek system in 2000, the Delta Sigma/Delta Upsilon co-ed fraternity—known for fostering creativity in non-formal spaces on Bowdoin’s campus—channelled its funds into a support network for future Bowdoin artists. The fraternity’s funds work to support the arts at Bowdoin today.
The religious Festival of Dionysus in classical Athens transformed the art of storytelling when Thespis turned and spoke to someone else on stage instead of directly to the audience. That 90 degree pivot, said Oskar Eustis, artistic director of the Public Theater in New York City and producer of Broadway hits “Hamilton” and “Fun Home,” is an important, destabilizing act in the creation of theatrical dialogue.