Last Saturday, CLIO Award winning producer and director of photography Matt Siegel, along with a few other cinematographers, led an introductory workshop in digital film production for Bowdoin students. Because Bowdoin’s Cinema Studies program focuses heavily on history and theory, the workshop aimed to fill a gap in students’ education about the technical aspects of filmmaking.
Frontier brings more than food to the table. Igniting conversation about the world beyond its rustic walls, Frontier, located in Fort Andross, describes itself as a “food, art and cultural destination.” Here, visitors share intimate conversations and globally inspired meals with views of the churning Androscoggin River below.
David Saul Smith Union’s Lamarche Gallery offers a unique space for student work curated exclusively by students. This Tuesday, the gallery opened an exhibition that gave students the opportunity to display their photography, painting, drawing and poetry from their Kent Island fellowships over the summer.
A “queer disabled nonbinary femme writer and cultural worker of Burger/Tamil Sri Lankan and Irish/Roma ascent” is how Leah Lakshmi Piepzna-Samarasinha describes herself on her website. An activist and poet, she came to Bowdoin last night to share her work in several events sponsored by various groups from all areas of campus, underscoring the intersecting identities that have influenced her experience and perspective.
In his lecture on Wednesday, Jonathan Katz argued that pop art is an inherently queer form of self-expression, an idea originally censored in a now fully-published interview with Andy Warhol. Katz—founder of the Harvey Milk Institute and director of the visual culture studies doctoral program at the State University of New York at Buffalo—presented his interpretation of Andy Warhol’s pop artwork through a unique lens of queer studies and censorship in his lecture, “The Unknown Queer Warhol.” Flowing from an analysis of a resurrected version of this formerly censored interview with Warhol, Katz argued that Warhol’s pop imagery provided no less commentary on modern homosexuality than his blatantly queer early works.
Jude Marx ’18 is an English and education coordinate major who has worked at Bowdoin and beyond to carry out creative projects, mainly through portraiture and creative writing. Her work focuses on the themes of memory and queer identities, as well as other intersecting marginalized identities.
Jhene Aiko – “Jukai” (September 22) Jhene Aiko seems to finally be hitting her stride as one of R&B’s truly unique artists. The cool, unmistakable radiance of her voice has always been there, but on her latest album, “Trip,” Aiko has the production to back it up.
Xenia Rubinos’ music is refreshingly bold and authentic. An up-and-coming singer and composer, Rubinos recently released her album “Black Terry Cat.” Brought to campus by WBOR, she performed a sampling of her music at Ladd House this past Saturday. Rubinos emphasizes the creative capacity of individual experiences and self-expression. Her work documents an ongoing exchange between her state of mind and the exterior world. She describes her style as soulful, with a lot of energy and love.
When viewed in a modern context, the Soviet propaganda posters in the Bowdoin College Museum of Art’s (BCMA) newest exhibit provide not only insight into the rise and fall of the Soviet Union but also a framework for understanding the present.
Idriss Jebari, an Andrew W. Mellon Postdoctoral Fellow in History, understands the power of film to expose new perspectives. Now during his first year at Bowdoin, he has founded a Middle East film series, filled with narrative-driven movies that tell the story of individuals.