“How do you get students in this age to talk about controversial materials and controversial issues?” asked Khalid El-Hakim, the curator of the Black History 101 Mobile Museum. At the heart of the touring museum is this question, which El-Hakim tackles using artifacts in an educational setting.
Kodie Garza: What is the most meaningful piece you’ve written and why? Carly Berlin: Oh, that’s hard. I think the piece that I wrote this past summer was meaningful in a lot of ways. This summer I was mostly only working on this story about Clarkson, GA, which is a resettlement area for refugees for the past three decades.
Madeleine Lemal-Brown ’18, one of three presidents of the Bowdoin Slam Poets Society, was inspired to start writing poetry because of Lin-Manuel Miranda. “For me, that was really the first time I had heard anyone [perform] in a way that wasn’t quite rap, but it was this lyrical poetry type of thing,” she said of the writer and star of the hit Broadway musical “Hamilton.” Lemal-Brown is president along with sophomores Sabrina Hunte and John-Paul Castells.
This weekend, families and Bowdoin community members will have the chance to experience Ladd House’s transformation from College House to art gallery. Bowdoin Art Society’s fifth annual Fall Art Show gives students, both inside and outside the visual arts department, the opportunity to put their artwork on display.
Yesterday, Masque & Gown premiered “The Laramie Project,” a production choice that continues the group’s break with the more traditional shows that characterized much of its history. “We had three plays in a row during my time here and, I understand, several more before this that were like white, living-room, family dramas where people sat in their kitchen or living rooms and talked about their white people problems for a nice hour and a half,” said Kathleen Johnson ’19, director of the show, in a discussion at Burnett House last week.
Although Carmen Papalia lost the use of his vision, he does not identify as blind. “I feel that word doesn’t serve me,” he said. “I often think of myself as a non-visual learner—someone who just made a choice to shift the value from the visual to the non-visual … I’d rather describe myself in relation to my learning style and my approach to learning than refer to a word that kind of means, ‘lack of preparedness or awareness.’ You just have to [search for] synonyms for the word ‘blind,’ and you get a long list of negative associations.” Papalia, a Vancouver-based “social practice artist and disability activist,” delivered a lecture about his work at the Bowdoin College Museum of Art (BCMA) on October 19.
Filmmaker Raoul Peck now uses cinema as a platform for social activism. On Monday, the award-winning filmmaker and director of the world-renowned documentary, “I Am Not Your Negro,” came to campus to participate in a Q&A following a screening of his film.
Every rap fan has dreamed it: “What if ______ and ______ made an album together?” But there’s something about the idea of the collab album that just reeks of disappointment. After years of rumors and teases, that Kendrick Lamar/J.
“What happened last October?” Tatana Kellner asked students gathered at the popup show for her printmaking installation “Please Exit, Doors are Closing” on Tuesday in the Edwards Center for Art and Dance. Answer: the 2016 presidential debates, a time during which Kellner was working and reflecting on questions surrounding immigration policy in America.
Last weekend, the Meddiebempsters’ 80th reunion brought together current and former Meddies representing eras of Bowdoin’s history stretching as far back as the 1950s. With such an extensive history on display, cultural shifts over the years were clearly apparent, in everything from the diversity of the group to the music they performed.