Whether it’s trekking up the ramp to get to the Hubbard Stacks, staring into the windows of Lamarche Gallery while working on a problem set or sinking into a couch right in the middle of the Blue Box, Bowdoin students can easily find art in their surroundings.
Hip-Hop, rhythm and blues, jazz, reggae—many kinds of popular music have roots in Africa. Last night, the West African Music Ensemble brought to life the connection between drumming, dancing and singing during their performance “The Path and the River.” Distinct at Bowdoin in its non-Western approach to music, the ensemble is directed by Adjunct Lecturer in Music Jordan Benissan—a master drummer of Ewe people of West Africa, esteemed for complex cross-rhythms.
The hustle and bustle of New York City comes alive on stage to the familiar sound of a subway announcement. Complete with towering skyscrapers, dreamers and cynics, hurrying high-heels along congested sidewalk, the city was reimagined on stage at Pickard Theater last weekend in Masque and Gown’s fall production, “Heart of the City,” written by Eric Lane.
Black and white lines converge and juxtapose to form patterns—chaotic, dynamic and full of movement; the artwork of Frank Mauceri, senior lecturer in music, presents a touch of novelty and surprise. Viewers would never guess that behind the complex mark-making of Mauceri’s artwork lie algorithms generated by careful computer programming.
Cynthia Lee Fontaine, a Puerto Rican drag queen best known for her performance on “RuPaul’s Drag Race,” joined the Bowdoin community in Morrell Lounge on Wednesday night for an interview and a musical performance. Student organizers hoped the event would bring greater intersectionality to Latinx Month programming, which runs from September 15 to October 15.